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...origins of the movement extend back to Mendelssohn's historic revival of J.S. Bach in 1829. Even so, throughout the last century Bach was known primarily to the most sophisticated musicians, and only a handful of Mozart's myriad works were regularly performed. With composers like Schumann, Brahms and Wagner churning out masterwork after masterwork, there was little need to revive the past. But as the musical repertory gradually evolved into a monument to the 19th century, inquiring performers began to look backward. Arnold Dolmetsch (1858-1940), an English musician and instrumentmaker, rediscovered the nearly forgotten world...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...performers are Landowska's heirs. Once considered the last refuge of a poor musician, authentic instruments now attract performers of international caliber: Dutch Violinist Jaap Schroder, who collaborated with Hogwood on the Mozart symphony series, the English Concert's Pinnock, a top-notch harpsichordist whose reading of Bach's Goldberg Variations is perhaps the most convincing on discs; American Pianist Malcolm Bilson, one of the leading exponents of classical keyboard music, which he plays on the fortepiano, a predecessor of the modern instrument. "Everybody understands that there must be different sopranos for Mozart and Wagner," says Bilson...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...bread set," cracks Marriner. "But the sound is coarse and rarely fluid. Whenever I get into an argument with a supporter of authentic instruments, I like to quote a young musician of the Academy of St. Martin, of the time when we attempted to use | authentic instruments. 'If Bach lhad been offered modern plumbing,' he said, 'I'm certain he | would have used...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...they do a microchip or a reflex-camera lens, anticipating the day when their country will be as formidable in this field as it is in so many others. It is not the Three Cs-cameras, computers and cars-that fire their imagination so, but the Three Bs: Bach, Beethoven and Brahms...

Author: /time Magazine | Title: Music: Like a Flower on a Pond | 8/1/1983 | See Source »

Germany's music attractions are among the most prestigious in Europe. Apart from the Munich and the Bayreuth Wagner festivals, which have long since been sold put, there are Jugendfestspiele at Bayreuth in August, Ansbach's legendary Bach week also early in August, and open-air opera at Augsburg and Heidelberg, followed in September by the Berlin Festival centering on Herbert von Karajan. West Berlin has become as racy as it was in the '30s, drawing Americans by the hundreds with dozens of cafés offering every variety of decadence...

Author: /time Magazine | Title: Americans Everywhere | 7/25/1983 | See Source »

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