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Word: bache (lookup in dictionary) (lookup stats)
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...rebirthing house-calls--"you can't pull clients into Jamaica Plain"--Hollingsworth spends his time establishing the Institute for Wholistic Living, planned as a center for natural healing that will bring together under one roof experts in "diet, yoga, meditation, massage, herbalism, aura reading, Gestalt and Polarity Therapy, the Bach flower remedies and primal scream, as well as a psychic or two." After that, Hollingsworth hopes to organize a National Guide of Alternative Health Practitioners to "try to put a dent in the American Medical Association's monopoly on healing...

Author: By Eric B. Fried, | Title: A Tour of 'Benares on the Charles' | 5/14/1980 | See Source »

...RIDICULOUS tramples victoriously over the sublime in Kirkland House Drama Society's production of Gian-Carlo Menotti's serious The Medium followed by P.D.Q. Bach's rollicking The Stoned Guest. It is simply impossible to come away from this dual presentation pondering the somber thoughts of The Medium when these dark thoughts are washed over with light P.D.Q. mockery. Although Peter Schickele (P.D.Q. Bach) might have revelled in this jocular juxtaposition, Menotti would doubtless have been displeased...

Author: By Sarah G. Boxer, | Title: Laughing at Death | 4/11/1980 | See Source »

Most importantly, this performance escapes parodying its own seriousness. How strange then, after such an accomplishment, to follow up this fragile solemnity with Bugs Bunny and P.D.Q. Bach, as if to undermine the whole endeavor...

Author: By Sarah G. Boxer, | Title: Laughing at Death | 4/11/1980 | See Source »

...P.D.Q. Bach's The Stoned Guest is yet a sharper spear in the chest of dramatic opera than Bugs Bunny. To compliment or condemn the acting or the singing in this "opera" is to insult Peter Schickele's frivolous intention...

Author: By Sarah G. Boxer, | Title: Laughing at Death | 4/11/1980 | See Source »

Poor Walter Carlos, who produced Switched on Bach, for example, can't be held responsible for the creations of Emerson, Lake and Palmer, Yes, Tomita, Vangelis, or Mike Oldfield, but his quasiorchestral synthesizer products directly influenced fatuous schools of rock and roll. For a long time, no one seemed to know what else to do with the synthesizer. More recently, Georgio Moroder and Donna Summer realized in "I Feel Love" a sound which no one will ever duplicate for sheer originality or sensuality. Nevertheless, millions of depraved Moog owners, sitting in their velour studios, will continue vainly to plagarize that...

Author: By Scott J. Michaelsen, | Title: Mondo-Meltdown Rockers | 3/14/1980 | See Source »

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