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THERE IS NO better occasion than a birthday to pay homage to a great composer, and in honor of Beethoven's 204th, the Bach Society Orchestra played an all-Beethoven concert last Saturday evening. Chosen from Beethoven's seven concertos and nine symphonies, the Violin Concerto in D. Opus 61 (1806), offered a change of solo instrument after performances of piano concertos in the past two concerts, and the Symphony Number Eight in F, Opus 93 (1812), was simply the only one that could be managed by the small 43-man orchestra...

Author: By Karen Hsiao, | Title: Many Happy Returns | 12/17/1974 | See Source »

After the intermission, the orchestra surprised the audience with its vigorous performance of the Eighth Symphony. Hugh Wolff once again proved to be a conscientious conductor, sensibly placing music before histrionics. The orchestra was well-disciplined and seemed well-rehearsed. But one could not forget that the Bach Society is, after all, a student organization. While the forte tutti sections were played with gusto, the subtleties of phrasing, slight accentuations, and nuances in dynamics were never quite made apparent, for fear of sacrificing precision and ensemble. This was also a problem in the pianissimo sections and during some...

Author: By Karen Hsiao, | Title: Many Happy Returns | 12/17/1974 | See Source »

Nevertheless, the Bach Society concert was enjoyable, mainly because it was so human. There's a kind of humility found in sympathizing with the orchestra's faults, at the same time feeling its enthusiasm and bigness on stage...

Author: By Karen Hsiao, | Title: Many Happy Returns | 12/17/1974 | See Source »

...Bernard R. Bach Jr. of Winthrop House and Northville, Michigan...

Author: NO WRITER ATTRIBUTED | Title: CLASS MARSHALLS | 12/10/1974 | See Source »

...Lewis and Jackson announced titles, Lewis losing his professorial calm and struggling visibly to control his voice, the program moved from MJQ interpretations of jazz standards and blues adaptations of Bach through its own classics-The Golden Striker, The Legendary Profile, Bags' Groove. An expanse of heads nodded rhythmically until a galloping accelerando brought the audience to their feet. The cliche goes that MJQ is a hybrid of jazz and chamber music. Indeed, in their dark business suits, the men looked too sensible to be jazz players. The crowd cheered, not because of virtuosity or precocity, but because...

Author: /time Magazine | Title: Music: Gentlemen of Jazz | 12/9/1974 | See Source »

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