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Dunster House is sponsoring an excellent chamber group doing Bach this Friday afternoon. If you go, be sure to get there early. Comfortable places on the Library floor disappear rapidly...

Author: NO WRITER ATTRIBUTED | Title: Classical | 11/1/1973 | See Source »

...Memorial Church. Several times each year they sing solo recitals. Last Sunday afternoon, they participated in a choral evensong that gave them a far larger role than the regular Sunday morning service, but within a sacred setting. The occasion was Reformation Day, and the program was built around Bach's Cantata #80, Ein feste Burg ist unser Gott ("A mighty fortress...

Author: By Kenneth Hoffman, | Title: Choral Evensong | 10/31/1973 | See Source »

...brass choir also played well, allowing for the inevitable slips with such instruments. The raw power of brass and timpani gives them a sound that instantly captures an audience's attention. The chorale in the middle of the cantata was a good display of the near-infinite variety of Bach's accompaniments. That they were invented solely to alleviate the boredom of the same old hymn tunes is forgotten in their individual splendor...

Author: By Kenneth Hoffman, | Title: Choral Evensong | 10/31/1973 | See Source »

...BACH was only part of the Evensong's music. One of the anthems was Maurice Greene's Lord, let me know mine end. The Greene was almost funereal in quality and was lent a somber cast by the walking bass throughout the movement. The exceptional quality of the Choir's string accompanists was evident in their first entrance: they were even in their attack and in tune without the dead quality that comes from intonation obsession. The soprano soloists were well-matched and in good balance with the rest of the ensemble...

Author: By Kenneth Hoffman, | Title: Choral Evensong | 10/31/1973 | See Source »

...only disappointments of the program were the Buxtehude setting of Ein feste Burg, an uninspired set of variations, and the postlude, the brilliant Sinfonia from Bach's Cantata #29 known in solo violin, solo organ, full orchestral, and Moog synthesizer versions. The Sinfonia was played brightly by strings and brass only to be let down by the organ. There was not enough bass registration to carry through the Church--in part, a design flaw of the Fisk instrument--but even the upper voices were too thin to compete with such a healthy orchestra. Coupled with a number of fingering lapses...

Author: By Kenneth Hoffman, | Title: Choral Evensong | 10/31/1973 | See Source »

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