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Langmuir might have taken a tip from Weill, whom songs generally make their points by threatening to become happy, lyrical jazz just before they turn irretrievably sour. The opera's overture--a sort of bitter chorale in which the saxophones seems to be playing Bach just a little out of tune--sets the mood, and then things really get underway with the Moritat, better known as "Mack the Knife." If you have only heard Mantovani versions, you can have no idea what bite this song has. Stephen Schmidt, the conductor, puts it across beautifully, although the band has an occasional...

Author: By Seth Kupjerberg, | Title: Overcoming Obstacles | 11/11/1972 | See Source »

LOWELL HOUSE JUNIOR COMMON ROOM: Daniel McCrimons performs Bach, Chopin and Schumann...

Author: NO WRITER ATTRIBUTED | Title: music | 11/9/1972 | See Source »

DUNSTER HOUSE: Katherine Flanders '73, Stanley Gerson '73, Jo Ann Poole, Helder Rian '71, and Lois Siegeiboum perform Boismortier's Concertos for five flutes and Bach's Duets for two flutes...

Author: NO WRITER ATTRIBUTED | Title: music | 11/9/1972 | See Source »

SANDERS THEATER: Bach Society Orchestra, performs Bach, Mozart, and Schubert at midnight...

Author: NO WRITER ATTRIBUTED | Title: music | 11/9/1972 | See Source »

...eonhardt's playing is more reserved than that of his colleague, and embodies greater concern for the larger gestures of a composition. I am reminded of the description by J.N. Forkel, Bach's earliest biographer, of the latter's style of performance...

Author: By Stephen E. Hefling, | Title: Going Baroque | 11/3/1972 | See Source »

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