Word: bache
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...anyway? Don José is like nothing-we give him his Flowurie Song (sic), and he sings it on an old busted acoustic record. That's all he deserves." Other innovations: a kazoo obbligato in the Children's Chorus; a Habañera that begins with the Bach Chaconne and turns into a mélange of rock and Dixieland...
...Cantata No. 51, Jauchzet Gott in allen Landen, is one of the most consistently popular of the sacred cantatas. The purity of its vocal settings, when performed by an adequate soprano, places it among the most starkly beautiful of Bach's vocal works. Benita Valente, Monday night's soloist, is a perfect Bach soprano. She has a clear, pure voice, without any of the excess floridity or overblown style which is fatal in a Bach performance. Miss Valente and the orchestra gave a highly correct interpretation of the work, yet no one devoid of feeling. The work, originally composed...
Liszt soon rounded up a staggering assortment of creative but deathless friends, among them Wolfgang Amadeus Mozart and J.S. Bach. They all seemed to have learned English and appeared eager to use Mrs. Brown to make up for lost composition time. Rosemary laid in a supply of music paper and set to work copying down the carefully considered musical thoughts of history's greatest composers. "Liszt controls my hands for a few bars at a time, and then I write the music down," explains Mrs. Brown. "Chopin tells me the notes at the piano and pushes my hands onto...
...growths through which we jetted and lunged and circled and floated descending down to rest. Some of the creatures in the Aquarium were so beautiful, so diffident, and placid, that watching them dissolved the awareness of observation, and gently unburdened the day, without sentimentality or luxury, like a Bach Chorale-Prelude...
...great artists, that vigor comes from continuity, from the regenerative originality which only a sense of history as present in every living moment can nurture. He has been free to pursue his own thought because he has been quick to admit the timeless creativity of Monteverdi, Gesualdo, and Bach. A musical convention is a point of departure rather than a creative surrender. Stravinsky's music has always been imitative in the Aristotelian sense (which is the only sense), and always classical, never "neo-classical." "Neo-classical" is a fruitless neologism, a fetid, indurating bit of synthetic classification which obscures...