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...YORK PHILHARMONIC YOUNG PEOPLE'S CONCERTS WITH LEONARD BERNSTEIN (CBS, 4-5 p.m.). "Bach Transmogrified" means Bach updated for orchestra, electronic synthesizer and the New York Rock and Roll Ensemble. Bernstein says the program has "switched on, turned on, rocked, rolled, shaken and baked" Bach...

Author: /time Magazine | Title: On Broadway: Mar. 28, 1969 | 3/28/1969 | See Source »

...Days, Kennedy (9) 5. Miss Craig's 21-Day Shape-Up Program for Men and Women, Craig (3) 6. The Arms of Krupp, Manchester (8) 7. Instant Replay, Kramer (5) 8. The Trouble with Lawyers, Bloom 9. The Day Kennedy Was Shot, Bishop (7) 10. The Intimate Enemy, Bach and Wyden...

Author: /time Magazine | Title: On Broadway: Mar. 28, 1969 | 3/28/1969 | See Source »

...Maria Stader, soprano; Hertha Töpper, alto; John van Kesteren, tenor; Karl-Christian Kohn, bass) enter into the spirit of their conductor's classical conception: they never struggle to achieve Wagnerian eminence of tone but modestly blend into the musical architecture. The vocal texture of the Munich Bach Choir is glowingly transparent, despite its 90-odd members, even in the tumultuous contrapuntal sections...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

...avant-garde composers, the Moog (rhymes with vogue) produced the bing-bong theme that for years preceded all CBS-TV color shows and the clarion call that heralds Westinghouse television commercials. The most spectacular application of the Moog to date is Composer Walter Carlos' electronic "orchestration" of ten Bach compositions for a Columbia LP called Switched-On Bach. The album has sold nearly 150,000 copies in four months, which makes it the hottest classical LP since Van Cliburn's 1958 version of Tchaikovsky's First Piano Concerto. The album's widespread appeal bears out what...

Author: /time Magazine | Title: Instruments: Into Our Lives with Moog | 3/7/1969 | See Source »

...keyboard, trigger various "raw" sounds, such as "sawtooth" waves and "white noise." Other parts then modify the raw sounds by controlling their attack, volume and rate of decay, and by adding such characteristics as vibrato or echo. Complicated combinations of sounds-like the counterpoint and chords of Carlos' Bach album-are achieved by taping each series of sounds as they are produced, then combining them on multiple tracks of the same tape...

Author: /time Magazine | Title: Instruments: Into Our Lives with Moog | 3/7/1969 | See Source »

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