Search Details

Word: bache (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Schutz, who was born into the world of Shakespeare and Cervantes and died in the world of Corneille and Racine, was the greatest German composer before Bach. His surpassing importance as one of music's choral masters is exceeded only by his inexplicable anonymity. He absorbed the colossal Baroque style of Giovanni Gabrieli as well as the audacious innovations of Monteverdi, both Schutz's contemporaries and teachers, to forge a colorfully formal, intensely spiritual, quietly progressive style. In its unorthodox form, the Exequien looks forward to the cantatas of Bach and the oratorios of Handel. The work is characterized...

Author: By Chris Rochester, | Title: Early Music | 11/9/1968 | See Source »

...band in Queens, N.Y. Next he studied at Boston's New England Conservatory of Music for two years, then switched to the School of the Museum of Fine Arts (he still plays the guitar as a hobby). His earliest paintings were hard-edged and geometric attempts to present Bach's counterpoint in visual terms. When Poons moved to New York in 1958, he discovered Mondrian-in particular, the syncopated squares of Broadway Boogie Woogie and Victory Boogie Woogie...

Author: /time Magazine | Title: Painting: Pools of Radiance | 11/8/1968 | See Source »

...Unnamable, swatches from James Joyce, even slogans that were scribbled on the walls of the Sorbonne during last May's student insurrection. All the while, the orchestra plays a convoluted version of the third movement from Mahler's "Resurrection" Symphony, as snippets of Debussy, Bach, Stravinsky and a dozen other composers float in and out of Berio's nightmarish stream of semiconsciousness. In one sense, the words do not matter; Berio is not interested in making a song. He is communicating a kind of life attitude that shrinks at the prospect of some unnamable terror...

Author: /time Magazine | Title: New Works: Words without Song | 10/18/1968 | See Source »

While Clapton and Baker are entirely into their own virtuosity, Bruce's musciality is inexhaustible. At present he is working on the Bach Cello Suites ("the most perfect music ever written.") His art on the cello is well documented in "As You Said" on the last album. He may have the most extraordinary taste of any rock musician. "My favorite of the contemporary composers is Olivier Messiaen. I have this tape of the Turangalila Symphony that I made off a radio broadcast and I keep returning to it. It's great music. I went to some of his (Messiaen...

Author: By John C. Adams, | Title: REQUIEM FOR CREAM | 10/18/1968 | See Source »

...also anxious about whether he will be recognized apart from his Cream identity. "I had a terrible hassle just trying to find a company willing to produce my new disc." Meanwhile, Bruce continues his struggle to increase his musical powers by writing inventions in the style of Bach. "Two part inventions are hard, but it's the three-part ones that are a real gas." He does all this without the help of a piano. His songs are always conceived as total entities. Most of the cuts on "Fresh Cream" were written out in full score, again without...

Author: By John C. Adams, | Title: REQUIEM FOR CREAM | 10/18/1968 | See Source »

Previous | 330 | 331 | 332 | 333 | 334 | 335 | 336 | 337 | 338 | 339 | 340 | 341 | 342 | 343 | 344 | 345 | 346 | 347 | 348 | 349 | 350 | Next