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...Buswell it was the third major concert appearance in Cambridge this semester. This time the program consisted of the three even-numbered sonatas for violin and harpsichord by J. S. Bach, for which occasion Valenti's custom-made two-manual, seven-stop Challis (featuring among other things, a 16-foot stop and a metal sounding board) was carted up by station wagon from New York. The combined reputations of composer and performers insured a capacity audience, which as it turned out subsumed the entire range of musical appreciation from hedonism to intellectuality. Some came to analyze, some to envy...

Author: By Robert G. Kopelson, | Title: Buswell and Valenti | 5/13/1968 | See Source »

...Jean Dubuffet's 1947 Il Flúte sur la Basse, which brought $48,000. Highest bid was $300,000 for Picasso's oval-shaped 1912 cubist painting La Pointe de la Cite. Second most expensive picture was Georges Braque's Homage à J. S. Bach from the same period, which was bought for $276,000 by Manhattan Dealer Sidney Janis, who last January gave his first ($2,000,000) art collection to Manhattan's Museum of Modern Art, and now may be starting all over again...

Author: /time Magazine | Title: The Market: Onward & Upward | 5/3/1968 | See Source »

...years after his withdrawal from public concert life, Pianist Gould is still pursuing one of the most remarkable careers in recording history. First, there is his initial installment of Book 2 of The Well-Tempered Clavier, dazzlingly executed, imaginatively shaped, proving more than ever that while Gould's Bach is invariably different from anybody else's, it invariably has its own kind of rightness. Then there are Mozart's first five piano sonatas, which he spins out in enthusiastic, masculine, superclassical style. This performance helps offset Gould's hyperbolical habit of denouncing Mozart in interviews ("Anyone...

Author: /time Magazine | Title: Recordings: Good as Gould | 5/3/1968 | See Source »

...Bach Society Orchestra concert was the major disappointment of last week's musical offerings. Many heads could roll when a collective effort like this goes awry, but the conductor, John Adams is the one who must stand in the dock...

Author: By Lloyd E. Levy, | Title: The Bach Society | 4/29/1968 | See Source »

There was an even more fundamental disparity between the orchestra and its program. The Bach Society simply does not have enough string players to cope with the grandness of Beethoven or the expansiveness of Debussy...

Author: By Lloyd E. Levy, | Title: The Bach Society | 4/29/1968 | See Source »

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