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Word: bache (lookup in dictionary) (lookup stats)
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...years ago, a Scandinavian composer proclaimed: "I believe in Bach, Mozart, Carl Nielsen, and absolute music." Carl Nielsen? At the mention of the Danish composer's name, most non-Scandinavians could only look blank or grope for their music dictionaries. Nielsen's reputation in his homeland had been supreme since his death in 1931 at 66, but unlike his Finnish contemporary Jean Sibelius, he was a nobody in the European and especially the U.S. music world...

Author: /time Magazine | Title: Composers: Rating Nielsen | 2/9/1968 | See Source »

Beethoven had his 65-minute Ninth Symphony, Bach his two-hour B Minor Mass. But for Soviet Composer Aram Khachaturian, a three-minute piece of tuneless orchestral blooey has been enough to establish a worldwide reputation. Last week the man who wrote the Sabre Dance (1942) made his American debut, conducting the Washington National Symphony orchestra in a program of his own music. His reputation was enough to sell out the barnlike Constitution Hall (3,810 seats, plus 50 crammed onto the stage beside the orchestra) two nights in a row. The Sabre Dance was on the docket...

Author: /time Magazine | Title: Composers: That Weil-Known Shirt Button | 2/2/1968 | See Source »

Lucy & Fred. Sagan's views are in the minority, but on one point most educators agree: Video Boy is becoming a sort of peewee pundit. He knows, for example, the finer points of docking in outer space, can distinguish Bach from Bartok, and is a storehouse of such miscellany as the fact that whales' backs get sunburned and peel. When he enters school, his vocabulary will be at least one year ahead of the pre-TV child. On the nursery-type show Romper Room, a teacher once asked her toddlers if anyone could think of a word beginning...

Author: /time Magazine | Title: The Audience: Video Boy | 1/26/1968 | See Source »

...early 20th centuries -that glow with color and abound with dramatic contrasts. His concern is not detail but sweep and sound. He hears music with his nerve ends more than with his intellect. For this reason, he is less assured when he traces the transparent architecture of Mozart and Bach, or unfolds the subtle poetry of Schubert. Yet these are not fatal flaws in a conductor of his age. What is important is that he has the right foundation to build on. The visceral spark is primary; the intellect and poetry can come later. Without the root intuition, the other...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

...American school, but isn't yet: a synthesis of the best pianists from prewar Russia and Germany, with a range of styles that adapt to any music. "Rachmaninoff," he says, "approached everything the same way. But I approach Prokofiev totally differently from Beethoven, and Beethoven differently from Bach. The difference in approach has to do with many things: rhythm, phrasing, even the tone of a single note...

Author: /time Magazine | Title: Pianists: The Busy Eclectic | 12/29/1967 | See Source »

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