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...balance; the brass and the percussion were the respective offenders. Intonation in the Haydn was poor. Accompaniment figures in the violas were almost polytonal, and in spite of stalwarts like Street, Lisa Sandow and Richard Hamm, the strings evinced the same raw amateur sound that has plagued the Bach Society for years. Only in the humor of the finale's coda did the work manage to come alive...

Author: By Robert G. Kopelson, | Title: Bach Society Orchestra | 11/20/1967 | See Source »

People usually come to hear the HRO parti pris, but Friday night the orchestra surprised even its most faithful adherents. The first movement of the Beethoven exhibited a string section that was competent and solidly in control despite purported despoliation by this year's Bach Society Orchestra. Under conductor James Yannatos, the orchestra played with just the right kind of classical clarity and transparence. These qualities are more difficult to master than the rhythmic complexities of contemporary music or the pyrotechnics of late nineteenth-century orchestral style. All the elements which are so important in Beethoven--dynamic contrast, elegance...

Author: By Robert G. Kopelson, | Title: HRO | 11/6/1967 | See Source »

JOAN (Vanguard). Joan Baez, with her arranger Peter Schickele (of P.D.Q. Bach fame), has provided one of the most satisfying recordings of the year. She sings songs by some of today's greatest poet-musicians, most of whom are actually-and inaccurately-typecast as rock singers: McCartney and Lennon's Eleanor Rigby, Paul Simon's Dangling Conversation, and Tim Hardin's If You Were a Carpenter. But a French song, titled La Colombe (The Dove), provides the most haunting impact, for it is a beautifully put plaint against the slaughter of wars...

Author: /time Magazine | Title: Television: Oct. 27, 1967 | 10/27/1967 | See Source »

...Fields, with its four separate meters, freewheeling modulations and titillating tonal trappings, showed that the Beatles had flowered as musicians. They learned to bend and stretch the pop-song mold, enriched their harmonic palette with modal colors, mixed in cross-rhythms, and pinched the classical devices of composers from Bach to Stockhausen. They supplemented their guitar sound with strings, baroque trumpets, even a calliope. With the help of their engineer, arranger and record producer, George Martin, they plugged into a galaxy of space-age electronic effects, achieved partly through a mixture of tapes run backward and at various speeds...

Author: /time Magazine | Title: Pop Music: The Messengers | 9/22/1967 | See Source »

...Roosevelt. Francis Scott Key played The Star-Spangled Banner on a Knabe; Lyndon Johnson has a Knabe, and Bobby Kennedy a Chickering. Other Aeolian pianos, built at seven plants in the U.S. and Canada, include Mason & Hamlin, Fischer, Pianola, Weber, George Steck, Duo-Art, Cable, Hardman Peck, Winter, Kranich & Bach, Ivers & Pond and Mason & Risch...

Author: /time Magazine | Title: Industry: The Way Grandpa Played It | 8/4/1967 | See Source »

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