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Word: bache (lookup in dictionary) (lookup stats)
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...soon be within reach of it. He is a devotee of the dip-and-sway school of playing, but he has temperament and spunk, a luminous tone and a controlled technique. Out of a contrasting assortment of half a dozen pieces, he delivered a fine, full-blooded performance of Bach's Sonata No. 4, blazed easily through the trickiest passages of Prokofiev's Sonata in D Major, and captured the dark warmth of Brahms's deceptively difficult Sonata in A Major...

Author: /time Magazine | Title: Violinists: The Truth Seeker | 4/28/1967 | See Source »

...opening movement of J.S. Bach's Sonata No.5 was reposed and meditative. Kalam used the lyrical possibilities of the piano to spin out long, smooth lines. Street's approach was even more subdued; his tone was always sweet-sometimes almost ethereal...

Author: By Stephen Hart, | Title: Street-Kalam Recital | 4/27/1967 | See Source »

...opening number, Schutz' Jauchzet dem Herren, was a little square, for the performers ignored Schutz' constant shifts of meter. But the anti-phonal choruses had an excitement in their tone and enunciation, and gave a bouvancy to their lines, that prefigured the best qualities of the concert. Bach's Lobet den Herrn, alle Heiden, however, was disappointing in just these respects. The tempo was too slow, the words were totally inaudible in the women's parts, and the sopranos lost their nerve half-way through. Their tone lost all conviction, and the pitch, already shaky, deteriorated...

Author: By Stephen Hart, | Title: Glee Club Choral Society | 4/24/1967 | See Source »

...Cantata Singers are one of those rare organizations that take their name seriously. In a concert of three cantatas of J. S. Bach, they produced a more professional sound than any group performing regularly at Harvard. The clarity they gave to every detail of polyphony, the precision of their runs and enunciation, and their rich, vibrant tone made listening to them a sensual pleasure...

Author: By Stephen Hart, | Title: Cantata Singers | 4/18/1967 | See Source »

...opening chorus of Bleib bei uns (BWV 6) featured a large number of choral trills. Although they demonstrated the chorus's virtuosity, the emphasis placed upon them distorted rather than heightened the expression of Bach's musical ideas. In the remainder of the cantata, Jane Struss' alto aria was lucid and delicate, if not overpowering, and Sorensen gracefully navigated the difficult tenor aria...

Author: By Stephen Hart, | Title: Cantata Singers | 4/18/1967 | See Source »

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