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...with Mozart." Steeped in religious philosophy, she is a radiant, darkly handsome woman who fortifies her self with yoga exercises learned from Violinist Yehudi Menuhin's guru in India, and daily rations of a syrupy mixture of ground-up acorns, figs and raw oatmeal. Last year she visited Bach Scholar Albert Schweitzer in Gabon, played Mozart and Bach for him every night for five weeks; he spent his last days listening to her recording of Beethoven's Fourth Piano Concerto. In February, she will become an artist in residence at Texas Christian University...

Author: /time Magazine | Title: Pianists: View from the Inside | 10/14/1966 | See Source »

Austerely contemporary in sound, Penderecki's two-hour oratorio draws on a wide musical spectrum ranging from pious Gregorian chants to the dry linearity of the twelve-tone school. In a fresh departure from the Passions of Bach and Telemann, his chorus participates as well as comments, punctuating Christ's ascent to Calvary with hisses, shouts and mocking laughter, while the music quavers and sighs in sympathetic counterpoint. With the lean, clean strokes of a fencer, Penderecki slices to the heart of the Passion, revealing through the intolerance shown to one man the tragedy...

Author: /time Magazine | Title: Composers: What's the Score? | 10/14/1966 | See Source »

MOZART: EXSULTATE, JUBILATE (Seraphim). Soprano Elisabeth Schwarzkopf in a performance that has become a collector's item in the years since it was first released in 1954. Her hallelujahs are triumphant in the Mozart motet and then shower forth brilliantly again in the Bach cantata, Jauchzet Gott in allen Landen...

Author: /time Magazine | Title: Television: Oct. 7, 1966 | 10/7/1966 | See Source »

...technical sides of the production mirror the best and worst features of the acting. The incidental music syncopates Bach flute sonatas with jazz instrumentation a la Swingle Singers. Mixed with Roberts' brightly patterned sets and costumes (Charles Keating plays Valentine's feigned mad scene in a giant purple paisley robe and a huge hat like the top of a party favor), the music induces a pleasurable sense of swingingly elegant decadence...

Author: By George H. Rosen, | Title: Love For Love | 9/29/1966 | See Source »

Since then, they have put over such unlikely packages as a Christmas series of four different versions of Handel's Messiah, a "Japan Week" featuring the Toho String Orchestra (with Japanese buffet served at intermissions) and a satiric program of baroque music, P.D.Q. Bach (TIME, Jan. 7), which was so successful that it came back twice to full houses, P.D.Q...

Author: /time Magazine | Title: Concerts: Putting the Art Before the War Horse | 9/9/1966 | See Source »

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