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Word: bache (lookup in dictionary) (lookup stats)
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...effect is that of making Mondrian's Boogie-Woogie paintings swing. Agam calls his works "contrapuntals," has even named one Homage to Johann Sebastian Bach for its fugue of color. He uses this oblique approach, he says, to avoid the Judaic religious restrictions on graven images. "In flux, one cannot perceive reality, but only a part of it," he says. As a result, his works may not stand alone impressively enough as masterpieces, but they seem a magnificently practical way to transform blank-walled, vast public wastelands and enormous rooms into lively and provocative architectural gardens...

Author: /time Magazine | Title: Painting: 180° Boogie- Woogie | 5/27/1966 | See Source »

...worst problem in Matthew was one which no film of Joan's era had to deal with--the sound track. Pasolini gambled again, trying to match the implicit emotional values of his music to those of his images. He has permitted himself to range from Bach to Mozart to Prokoviev to Odetta to the Missa Luba to Leadbelly. Running head-on against our various stock responses, he inevitably creates image-sound discords. For me such discords arose between the healing of a leper and a cotton-field blues moan, between the infant Jesus and Odetta's annoyingly mannered "Sometimes...

Author: By Jeremy W. Heist, | Title: The Gospel According to St. Matthew | 4/16/1966 | See Source »

...Waste Land; it's necessary to kick him, otherwise he won't perform, and if he doesn't perform there's no poem. Because a poem is a reciprocal kind of action between the writer and the reader. No reader, no poem. It's like unperformed music, Bach scores lying in manuscript for hundreds of years. That's what a poem unread is like...Not too good...So you get the reader awake, and once he's awake you make sure he stays awake. And you tell him all of things he doesn't want to hear. But you tell...

Author: By Stuart A. Davis, | Title: John Berryman-II | 4/13/1966 | See Source »

MUSIC OF THE RESURRECTION (NBC, 2-3 p.m.). An Easter special that will present music from the 5th century to the present, including works by Bach, Brahms, Poulenc and Tournemire...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Apr. 8, 1966 | 4/8/1966 | See Source »

BILL EVANS, who usually stresses simplicity, has surrounded himself with strings for some improvisations on Bach, Chopin, Scriabin and Granados (Bill Evans Trio with Symphony Orchestra; Verve). It is best, and easy, to forget that Bach had anything to do with the gentle, romantic schmalz called Valse, but this and the other adaptations are pleasant displays of Evans' skilled, introspective and sometimes sentimental piano playing...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Apr. 8, 1966 | 4/8/1966 | See Source »

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