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INSTRUMENTAL: Pieces often played by students reveal unsuspected subtleties as Glenn Gould makes eloquent the several voices in Bach's Two-and Three-Part Inventions (Columbia) and Artur Rubinstein turns Chopin's Waltzes into lilting, sparkling poems (RCA Victor). Sviatoslav Richter makes Schubert's "Wanderer" Fantasia sing (Angel), and John Browning premieres what may become one of tomorrow's classics, though not too different from yesterday's: Samuel Barber's 1962 Piano Concerto (Columbia...

Author: /time Magazine | Title: On Broadway: Dec. 25, 1964 | 12/25/1964 | See Source »

...tiny black-clad priestess, palms pressed together in prayer, she would float in hushed silence to her altar, the harpsichord. A Romantic who played pre-Romantic music, she got shadings and majestic effects seemingly impossible on her instrument, and no one could equal her in bringing to independent life Bach's intertwined melodies. She took great liberties in interpretation, serenely confident of the backing of the dead composer. "You continue to play Bach your way," she told one musician. "I shall continue to play Bach his way. What I do is comparable to the improvisations of a good jazz...

Author: /time Magazine | Title: Books: The Visionary Musician | 12/25/1964 | See Source »

Charles P. Price, University Preacher, will lead the services, with carols and anthems sung by the the University Choir under the direction of John Ferris, University Organist and Choirmaster. The program includes works by Bach Praetorius, Distler, Sweelinck, Britten, Billings, Welsh, and Holst...

Author: NO WRITER ATTRIBUTED | Title: Christmas Carol Services | 12/15/1964 | See Source »

Gregory Biss will conduct the Bach Society Orchestra in its second concert of the year at 8:30 p.m. tonight in Paine Hall. The program will include works by Bach, Beethoven, Mozart, and Ruggles...

Author: NO WRITER ATTRIBUTED | Title: Concert Tonight | 12/5/1964 | See Source »

COLLABORATION: THE MODERN JAZZ QUARTET WITH LAURINDO ALMEIDA (Atlantic). The M.J.Q. and the Brazilian guitarist seem meant for each other, like gin and vermouth. Not that they are intoxicating; their colors are muted, their moods refined, their rhythms subtle. They can swing, but seldom do. In Bach's A Minor Fugue they demonstrate delicate counterpoint, and in the Adagio from the Concierto de Aranjuez they conjure up a lavender twilight as the guitar gently punctures the lingering ring of the vibraharp...

Author: /time Magazine | Title: Television: Dec. 4, 1964 | 12/4/1964 | See Source »

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