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...whole life have I believed in God nor do I intend to start. I consider myself a true materialist. That never stopped me from visiting churches . . . splendid monuments of the past ... I have heard some very good concerts in various churches and still like to attend them . . . Handel, Bach and Beethoven are among the greatest composers. They will surely be played and loved even after nobody on earth believes in God any more ... A true materialist can certainly hear a good concert of classical music in a church without losing his materialist virginity...

Author: /time Magazine | Title: Religion: Pagans' Progress | 1/5/1959 | See Source »

...midst of war the most joyful canvases of his career. The school-of-Paris cubism he brought back with him helped free his individual genius: he took cubism out of doors, to church and to the beach, using it to animate a vista with the intricate counterpoint of a Bach fugue. Regatta, which seems as much like the gates of paradise as Pink Sky is like the gates of hell, is a sparkling example...

Author: /time Magazine | Title: Art: EXACT FANTASIST | 12/29/1958 | See Source »

Fanciers of Johann Sebastian Bach are a disputatious lot given to occult probings into the spirit of the Master. Some like their Bach feathery and ice-edged; some like him broad and deliberate. The undisputed queen of the "broad" Bach school is Chicago-born Pianist Rosalyn Tureck, who for the past five years has been building an impressive reputation in Europe's concert halls (TIME, July 29, 1957). Last week the New York Philharmonic provided J.S.B.'s Manhattan fans with a rare treat: an all-Bach program at which Pianist Tureck appeared as the first female conductor...

Author: /time Magazine | Title: Music: Broad Bach | 12/29/1958 | See Source »

...rehearsals, where her basic conducting is done. Pianist Tureck hands out her own editions of the works to be played (no printed editions of the original Bach orchestral parts are available), explains to the orchestra what her artistic concept is and why she has called for specific details of phrasing, dynamics, tempo. The major problem, she finds, is "getting a new idea of Bach across" to orchestra men chiefly schooled in the romantic repertory of the 19th century. In describing her ideas, she avoids technical detail, often uses phrases like "Keep it broad!" Once, during rehearsal last week, she cried...

Author: /time Magazine | Title: Music: Broad Bach | 12/29/1958 | See Source »

Small, intense Pianist Tureck, who has never formally studied conducting, began only two years ago, when she got the chance to do eight Bach concertos with Copenhagen's Collegium Musicum. Since then, she has successfully led the Philharmonia Orchestra in a series of concerts that sold out London's Royal Festival Hall. She still plays regularly under other conductors. But when she herself can boss the orchestra, she feels that she can come several steps closer to the real Bach...

Author: /time Magazine | Title: Music: Broad Bach | 12/29/1958 | See Source »

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