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Brown was the superb soloist in two sonatas for recorder and basso continuo (viol and keyboard) by Handel and Telemann--the two competitors for the top Trendex rating when Bach was generally considered a negligible talent. The first movement of the Telemann was a good example of the Baroque convention of using descending chromatic scale fragments to express sadness. In both works, Miss Olson's viol was far too weak, although she was fine in her two solo recercadas by Ortiz. In Baroque music, the bass line cannot be too strong...

Author: NO WRITER ATTRIBUTED | Title: Concerts of the Week | 8/2/1956 | See Source »

Biggs' program constituted a virtual historical survey of organ styles, going from the late 16th-century Byrd through Sweelinck, Louis Couperin, Bach, Handel, Soler, Schumann and Franck to Jehan Alain, who was tragically killed in his youth during World...

Author: NO WRITER ATTRIBUTED | Title: Concerts of the Week | 8/2/1956 | See Source »

...Bach Fantasia and Fugue in G Minor Biggs employed at least four different phrasings for the same fugue subject. The Franck Prelude, Fugue and Variation is such a wandering piece that it is no wonder that Biggs lost his place. Perhaps his best playing of the evening came in the Schumann Canon in B Minor, where his crisp short attacks were appropriate...

Author: NO WRITER ATTRIBUTED | Title: Concerts of the Week | 8/2/1956 | See Source »

Although the hunting horn has long since disappeared from the symphony orchestra (where the French horn does the horn calls, e.g., Wagner, Bach and Beethoven), its music is still kept alive by dedicated amateur groups such as the Parisian Le Cercle Dampierre et Bien Allé,* which turned up at Laarne last week. For the 200-odd such groups scattered throughout Europe, three French manufacturers produce some 400 hunting horns a year at about $35 apiece...

Author: /time Magazine | Title: Music: Lung Lacerators | 7/30/1956 | See Source »

...Bach for Percussion (New York Percussion Ensemble conducted by Harold Glick; Audio Fidelity). Four familiar Bach organ works rapped out on the numerous wood, skin and metal objects of a modern percussion department. The result has the effect of an X-ray photograph of a flower-barely recognizable, eerie and oddly fascinating...

Author: /time Magazine | Title: Music: Classical Records | 7/2/1956 | See Source »

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