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Sunday evening's Paine Hall concert by the Bach Society Orchestra was an amateur event in the best sense of the word: it was obvious from beginning to end that conductor Michael Greenebaum and every one of his players love to make music. And this, after all, is far more important in a college group than technical perfection...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 2/15/1955 | See Source »

...closing, the choruses combined for three excerpts from Bach's B Minor Mass. As might have been expected, the Radcliffe sound often swamped Amherst--despite the ladies' obvious unfamiliarity with some passages. In addition, Paine Hall's overbright acoustics effectively smudged the counterpoint. The total impression was more of an impromptu singing party than a concert finale. ROSERY M. SIMON

Author: NO WRITER ATTRIBUTED | Title: Radcliffe-Amherst Musicale | 2/7/1955 | See Source »

Medicine has made spectacular strides in the 20th century, but people may be too impressed with its wonders. Said John L. Bach, A.M.A. press chief, speaking before a gathering of doctors in Hattiesburg, Miss.: "The word 'science' now carries some of the connotations of magic in the nonscientific man's vocabulary. So much has been written on what's new in medical science and what science reveals that it is [hard] for the man in the street to understand where science leaves off and science fiction begins." As a result, said Bach, the patient often reveres...

Author: /time Magazine | Title: Medicine: Dr. Superman? | 1/31/1955 | See Source »

...Bach: The Brandenburg Concertos...

Author: /time Magazine | Title: Music: New Records, Jan. 17, 1955 | 1/17/1955 | See Source »

...Bach's Concerto for Two violins requires some sense of equality-though not identity-of the two solo parts. Annette Colish and Diana Stevenson both performed with accurate phrasing and intonation, but Miss Colish's sound completely overpowered her partner's smaller tone. Mr. Shapiro let the orchestra become simply a support for the soloists. This may not be authentic concerto grosso style, but it is greatly preferable to the brazen display of Interpretation" offered by some other conductors...

Author: By Robert M. Simon, | Title: Adams House Music Society | 12/15/1954 | See Source »

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