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...unique in the jazz field: his quartet uses neither piano nor guitar, does its work with trumpet, bass, drums and, of course, Mulligan's hoarse-voiced baritone sax. In comparison with the frantic extremes of bop, his jazz is rich and even orderly, is marked by an almost Bach-like counterpoint. As in Bach, each Mulligan man is busily looking for a pause, a hole in the music which he can fill with an answering phrase. Sometimes the polyphony is reminiscent of tailgate blues, sometimes it comes tumbling with bell-over-mouthpiece impromptu...

Author: /time Magazine | Title: Music: Counterpoint Jazz | 2/2/1953 | See Source »

When Fishback began his course last September, he got his recruits to agree to stick with it for a whole school year do prescribed reading and field studies, hold an open meeting about once a month, keep minutes for analysis. With S.I.U.'s Educational Research Director Jacob Bach to help him make the rounds, Fishback is often on the road three nights a week. He encourages boards to define their duties and powers, patiently coaches them on such matters as public relations, budgets, expanded school facilities, staffs...

Author: /time Magazine | Title: Education: School for School Boards | 1/26/1953 | See Source »

Austrian-born Chaim Gross came to Ostrowsky as a youngster two days out of Ellis Island, fed himself on the fruit the students were to draw as still life, and later developed into a world-famous sculptor. Such artists as William Auer-bach-Levy, Jo Davidson and Jacob Epstein paid 3? a week for instruction, used pushcart peddlers for models, or bearded patriarchs who posed for 15? an hour...

Author: /time Magazine | Title: Education: East of the Bowery | 12/29/1952 | See Source »

...Reynolds is a rather young, man, and seemed quite nervous at the beginning of his recital. The opening Bach selections were marred by wrong notes and general muddiness, but the three Chorale-Preludes which followed sounded much clearer and more relaxed...

Author: By Lawrence R. Casler, | Title: Harvard Organ Society | 12/16/1952 | See Source »

...program opened with two chorale-preludes by Bach, neither of which made any great technical demands, Beyer easily solved the major interpretive problem of emphasizing the chorale melodies without obliterating the important supplementary material...

Author: By Lawarence R. Casler, | Title: David Beyer | 12/11/1952 | See Source »

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