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...arts and sciences must be purified. No more need peaceful, respectable persons listen to the barbaric, Hunnish melodies of Brahms, Bach, Beethoven Mozart, Mendelssohn, Wagner, Schubert, Strauss; no more need our ears be offended at Christmas time by the hellish notes of Stille Nacht, the voice of Schumann-Heink; no more of the militaristic preachings of Schiller, Goethe, Luther...

Author: /time Magazine | Title: Letters, Nov. 18, 1940 | 11/18/1940 | See Source »

...introduces himself as Deems Taylor, welcomes the audience, on behalf of Leopold Stokowski and Walt Disney, to "an entirely new form of entertainment." When he finishes, Leopold Stokowski himself, his back to the audience, steps into the picture, raises his arms, and the great orchestra swirls into Bach's D Minor Toccata and Fugue...

Author: /time Magazine | Title: Music: Disney's Cinesymphony | 11/18/1940 | See Source »

This is the beginning of a symphony concert-but what a concert! Illustrated by Walt Disney; written by Bach, Beethoven, Stravinsky, Dukas, Tchaikovsky, Mussorgsky, Schubert; conducted by Stokowski; master-of-ceremonied by Deems Taylor; played by the Philadelphia Orchestra. Mickey and Stokowski together put on a brand...

Author: /time Magazine | Title: Music: Disney's Cinesymphony | 11/18/1940 | See Source »

...Bach: Musical Offering (Yella Pessl, harpsichord, four strings, four wood winds; Victor: 10 sides). First recording, and a fine one, of the ingenious fugues, canons and sonata in which Bach tossed every which way a theme given him by King Frederick the Great (TIME...

Author: /time Magazine | Title: Music: November Records | 11/11/1940 | See Source »

...this limited field, of a stock routine of standard works, not enough probing into minor musical literature. It is true, of course, that classical and pre-classical music exists largely in small forms, unfit for the symphony orchestra. But there are over a hundred symphonics by Haydn, suites from Bach, Telemann, and Handel. Why should we be forced to listen to ten performances of the Tchaikowski Pathetique for every one of the Mozart E-flat? Is it because classical music is comparatively quiet and unexciting that it is so neglected? The E-flat symphony is, in my opinion at least...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 10/25/1940 | See Source »

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