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Word: bache (lookup in dictionary) (lookup stats)
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...contrast to the graceful organ style of Handel, is that of Johann Sebastian Bach, whose organ music is more of a religious nature. He seems to think of the organ as a sacred instrument. The music he composes for it is inborn. While Handel0 adapted to the organ many ideas which he used in other forms of music, making it easier for the listener to understand, Bach treated the organ as an instrument whose great resources offered new ideas for music...

Author: By Paul Jaretzki, | Title: The Music Box | 3/5/1940 | See Source »

...Four of Bach's works for solo organ are included on the program. The Fugue in G major, the Tocatta and Fugue in D minor, known to many through Stokowski's transcription of it for orchestra, and two Chorale Preludes. It is in these Chorale Preludes that Bach proves himself to be one of the greatest masters of the organ...

Author: By Paul Jaretzki, | Title: The Music Box | 3/5/1940 | See Source »

...which the left hand drones a set bass phrase over & over, while the right hand goes to town with whatever variations the player can think up. Its form is identical with that of the classical passacaglia, a kind of dance music (of Spanish origin) that was old stuff to Bach's grandfather. Though boogie-woogie's mournful thump and clatter had long been heard in the humbler dives of New Orleans and Chicago, it was not taken up by the connoisseurs until 1938. In Manhattan the temple of boogie-woogie has been a subterranean Leftist cabaret in Greenwich...

Author: /time Magazine | Title: Music: Bach and Boogie-Woogie | 3/4/1940 | See Source »

...writing detective stories to study boogie-woogie piano, under High-Priest Ammons. Last week he showed himself so proficient at boogie-woogie that the pale young critics who heard him rated him a mere notch below his teacher. Said Pianist Paul ponderously: "[Boogie-woogie] is a kind of modern Bach, in so far as the left hand does not play a mere accompaniment but a distinct theme that is woven in with the theme of the right hand in a definite counterpoint style, with Bach-like improvisations on the themes...

Author: /time Magazine | Title: Music: Bach and Boogie-Woogie | 3/4/1940 | See Source »

...very happy, leaning back into the cool comfort of the deep leather chair and listening to the four musicians, seated at one end of the intimate little room, playing the music he loved. He felt clean and invigorated when he heard the Bach which seemed like precise and classically perfect exercises in counterpoint. He smiled an inane smile of satisfaction and pleasure as the rich beauty of Beethoven filled his entire body with a feeling of quietly sensual pleasure. And being so extremely comfortable, he mused in a slow and comfortable manner...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 2/28/1940 | See Source »

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