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Word: bache (lookup in dictionary) (lookup stats)
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There were some casual pieces, like Sousa's "Washington Post March" but the mainstays of the program were selections from Handel, Bach and Schubert...

Author: By Joshua E. Gewolb, CRIMSON STAFF WRITER | Title: Summer Revelry Accompanied by Trombones | 7/17/1998 | See Source »

...Daddy. Needing more space for his improvised line, Armstrong rejected the contrapuntal New Orleans front line of clarinet, trumpet and trombone in favor of the single, featured horn, which soon became the convention. His combination of virtuosity, strength and passion was unprecedented. No one in Western music--not even Bach--has ever set the innovative pace on an instrument, then stood up to sing and converted the vocalists. Pops. Sweet Papa Dip. Satchmo...

Author: /time Magazine | Title: LOUIS ARMSTRONG: The Jazz Musician | 6/8/1998 | See Source »

...story essential to the faith of millions. The panel discussion unearthed a question too horrible to be answered lightly: What do we do with the foundations of our culture when we no longer approve of them? We can't simply throw them out. Out of tradition and aesthetic fashion, Bach's St. John Passion will continue to be performed, and we will be lucky when it is performed as brilliantly and discussed as thoroughly and as responsibly as it was by The Boston Cecilia...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: Art and Anti-Semitism | 4/17/1998 | See Source »

...Bach's St. John Passion, more philosophical than the expansive St. Matthew Passion, has an eerie, sonorous sound that plays off of soft, massive murmurs braced against loud declarations by the chorus. The dramatic moments are based on a timing which The Boston Cecilia hits with ease: the narrator will call, "Sie aber sprachen," and the chorus will resound with the answer, "Jesum von Nazareth." The chorus does not back down from the lines which most directly implicate "the Jews". At the proper moments they exhort Pilate to accept Jesus ("Nicht diesen, sondern Barrabam") and crucify him ("Kreuzige! Kreuzige!") with...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: Art and Anti-Semitism | 4/17/1998 | See Source »

...whom, may we ask, is one night of Harvard dance enough? Well, let's avoid that question and move on to: the Harvard-Radcliffe Ballet Company presents dancers for dancers' sakes. No more "passion sequences" a la 70s mainstage musicals. This is the real thing: bits from all over, Bach's Toccata in Fugue, Rhapsody in Blue, Firebird, and Mainly Jazz's peculiar Starbucks blend. Both April 17 and 18, 8 p.m., at the Reiman Dance Center...

Author: NO WRITER ATTRIBUTED | Title: PREDITORIALS | 4/17/1998 | See Source »

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