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...remainder of the program will be under the direction of Dr. A. T. Davison '05 and G. W. Woodworth '24. This union with the Choral Society is the first since the Bach B-minor Mass was presented in Symphony Hall during the afternoon and evening of Easter...

Author: NO WRITER ATTRIBUTED | Title: HOLST TO BE HONORED IN GLEE CLUB CONCERT | 4/27/1932 | See Source »

...lady-pupil demonstrated the dance floor, gingerly moved her arms and head to "play" the Bach-Gounod Ave Maria. Theremin's pupils performed individually, on space-controlled instruments which have a tone-quality something like a cello's, and on keyboard instruments which are in principle the same but sound more like woodwinds. Finally the pupils performed altogether, sounded not unlike a group of children, a little uncertain as to pitch, blowing on combs and tissue paper...

Author: /time Magazine | Title: Music: More Theremin | 4/11/1932 | See Source »

This afternoon at 4.30 o'clock, the Glee Club and the Radcliffe Choral Society will participate in the first orchestral rehearsal of the "Mass in B-minor", by Bach, which is to be performed under the auspices of the Pension Fund of the Boston Symphony Orchestra next Sunday. A second rehearsal for the latter half of the work will take place tomorrow afternoon at the same hour. The performance on Sunday will be given in two parts, commencing at 4.30 and 8.30 o'clock...

Author: NO WRITER ATTRIBUTED | Title: GLEE CLUB SINGS "FAUST SYMPHONY" IN NEW YORK | 3/23/1932 | See Source »

...Harvard University Orchestrs, Pierian Sodality of 1808, will give a concert tomorrow in Paine Hall at 8.15 o'clock. The program conducted by Mr. G. W. Woodworth, will consist of music by Bach, Beethoven, deFalls and Florent Schmitte...

Author: NO WRITER ATTRIBUTED | Title: Pierian Concert | 3/21/1932 | See Source »

When the new film began with the playing of a Toccata and Fugue of Bach and set the key beautifully for what was sistently imaginative telling of an im-to follow, this reviewer hoped for a conaginative story. But no; before long, sandwiched in between the most admirable scenes in the London fog, there had to be a lot of silly dialogue and a wholly gratuitous love affair. Mr. March, after rattling the locks of old doors so splendidly, had to rattle the bones of old melodrama with such observations as "I give you up because I love...

Author: By G. G. B., | Title: CRIMSON PLAYGOER | 3/11/1932 | See Source »

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