Word: bachs
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Dates: during 1950-1959
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Despite an historically inaccurate interpretation by Charles Munch, Bach's St. Matthew Passion received a generally good performance yesterday from the Boston Symphony Orchestra, five soloists, the Harvard Glee Club, and the Radcliffe Choral Society. In most places not up to the exacting standards set by Hermann Scherchen on Westminster records, Mr. Munch's rendition was marred seriously by his treatment of Bach as Verdi, and by the unfortunate deletion of many beautiful arias and chorales. He also cut parts of reciatatives, which are essential to the full meaning of the story of the Passion and of the work...
...Segovia audience is usually distinguished by its youth and its air of spellbound intensity. Last week, as usual. Segovia played pieces by early, little-known composers, as well as such familiar masters as Bach and Scarlatti, then offered several contemporary works. His six-stringed instrument sounded at times with the shimmer of the harpsichord, at times with the dryly plaintive quality of the lute. Throughout, the instrument's miniature sounds were punctuated with moments of deep, suspenseful silence...
...Prokofieff: Overture on Hebrew Themes; Mozart: Quartet for Oboe, Clarinet, Horn, and Bassoon; D'Indy: Symphony on a French Mountain Air; Bach: Sonata #2 in B Minor for Violin; MacDowell: Concerto #2 in D Minor, Piano...
...Kallinikoff-Symphony #2 in A minor (Per); Bach-Chromatic Fantasy & Fuge in D minor (Per); Pergolesi-Stabat Mater (D); Mozart-Quartet #14 in G major (C); Bernstein-Age of Anxiety (C); Handel-Trio Sonata in E for Flute, Violin, Bassoon, Harpsichord (HSLP...
...Gluck-Alceste Overture (D); Bach-Sonata #3 in E (C); Tchaikowsky-Swan Lake Ballet (V); Hayden Sonata #24 (MSLP); Gershwin-Concerto...