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Word: bachs (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Jazz requires a lot of feeling," he says. "Not everyone can do it. I try to build my improvisations on classical patterns, especially Bach, because I think jazz has a lot to do with classical music." His ambition is to give a classical recital in Carnegie Hall, "when I have time to work up a program-and the money...

Author: /time Magazine | Title: Music: Bach to Jazz | 3/29/1954 | See Source »

During a rehearsal shortly after he had become coach, Davison asked the members to try a little Mendelssohn piece called "Der Jagers Abschied." They did it "out of curosity," and they liked it. After Mendelssohn came Bach and Palestrina and finally Stravinsky...

Author: By Bruce M. Reeves, | Title: Doc' Davison: Faith in Worthwhile Music | 3/27/1954 | See Source »

...there was not enough time during rehearsals to sing "Polly Wolly Doodle All the Day" and determined to convert the Club into a genuinely ambitious choral organization. Davison agreed with the plan to separate from the instrument clubs and the big switch from "the Bullfrog on the Bank" to Bach was made...

Author: By Bruce M. Reeves, | Title: Doc' Davison: Faith in Worthwhile Music | 3/27/1954 | See Source »

...performance of the Chaconne from Bach's D minor Partita is bound to fall short. The notorious difficulty of the piece makes it virtually unplayable, and any evaluation must be based on a comparison with some mythical perfect performance. Criticism thus becomes even more subjective than usual. Mr. Fuchs' idea of the music as a gradual build-up in tension followed by a gradual release, with regularly-spaced interludes of quasicommentary, is extremely provocative. His failure to sustain and integrate this conception was caused primarily by the physical demands of multiple-stops and prodigious leaps that frequently leave interpretation behind...

Author: By Lawrence R. Casler, | Title: John and Lillian Fuchs | 3/8/1954 | See Source »

Miss Fuchs fared somewhat better in her selections from Bach's suite in E-flat. Originally written for cello, many of the difficulties are minimized by using the smaller instrument. I disliked her phrasing in the Prelude, but in matters of tone and technique, she was almost as good as the music she played...

Author: By Lawrence R. Casler, | Title: John and Lillian Fuchs | 3/8/1954 | See Source »

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