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...tests ended Dec. 31, President Eisenhower has made no decision on whether to resume the shots. The temptation is to wait for the summit meetings in May, just as the U.S. waited hopefully for Khrushchev's assurances on nuclear testing at Camp David last summer. But against a backdrop of 15 months of frustration, the great hopes of Geneva are fading fast. The danger is that the real Soviet objective at Geneva is to halt U.S. weapons progress, while giving nothing in return, thus in effect disarming the U.S. by talk. And that, as Ike has insisted so many...

Author: /time Magazine | Title: THE ATOM: The Formula As Before | 2/22/1960 | See Source »

Today Phoenix is leading Arizona into a boom which, if measured by statistics, skyline and traffic, seems much like the growth pattern that created such major cities as Detroit and sprawling Los Angeles. In fact the boom takes on a difference in quality and character from the backdrop of open land, air and sky that once made up the wildest Old West...

Author: /time Magazine | Title: National Affairs: ARIZONA: THRIVING OASIS Energy Fills the Open Spaces | 2/15/1960 | See Source »

...trip, he brings back snapshot recollections of vivid ceremony and unaffected friendliness. Dwight Eisenhower, the world's best-known, most respected statesman, lifted personal prestige and national influence to new highs from Rome to New Delhi to Paris. But equally as important as the President himself was the backdrop of popular reaction to his visits. His trip was a success because the American idea is a success; he had once and for all destroyed the myth that anti-Americanism prowls the world. The roaring welcomes defined no new world view of the U.S.; what they did was to dramatize...

Author: /time Magazine | Title: THE NATION: Success for an Idea | 12/28/1959 | See Source »

...final scene the audience was deeply moved by Oedipus (Tenor Gerhard Stolze) staggering onstage before Designer Caspar Neher's abstract backdrop (it looked like a microphotograph of a germ culture) and raising his sightless eyes with a beatific smile. Soprano Varnay refused to watch from the wings because "I dream about such things." Reported TIME Correspondent Paul Moor: "For a non-German-speaking audience, this opera has long, boring stretches because the music is so subservient to the text. Nevertheless, Orff has created a theater work of gripping power...

Author: /time Magazine | Title: Music: Orff's Oedipus | 12/28/1959 | See Source »

Against the backdrop of Paris, where people seem more interesting anyway, the superb German film Mon Petit tells a love story--"sometimes funny, sometimes sad"--which is consistently wonderful to watch. From the moment director Helmut Kautner appears to introduce his audience to "out boy and girl" until he walks down the boulevard at the end, his masterful hand changes ordinary into unique, ennui into comedy, sex into lyricism, and Paris into the colors of Cezanne...

Author: NO WRITER ATTRIBUTED | Title: Mon Petit | 11/6/1959 | See Source »

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