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...Y2K” remains a viable backdrop for a production in the twenty-first century because the phenomenon was “not a problem of zeros and ones but of adjusting to new ways of seeing the world,” says director, House Tutor, and graduate student in the English department Gustavo S. Turner. In fact, Turner says that the play is “much more powerful” now, as it will cause “people to reflect on what it means to have a safe stable identity in the twenty-first century...

Author: By Mary CATHERINE Brouder, CRIMSON STAFF WRITER | Title: Hacker Thriller Hits Close to Home | 5/5/2005 | See Source »

...Goldman’s ’06 impressive, surreal set accommodates all that it needs to while accommodating tremendous amounts of dirt besides; while Thomas E. Osborne’s ’08 light design is alternately eerie and awe-inspiring (the illumination of the entire backdrop against actor silhouettes is incredible...

Author: By Patrick D. Blanchfield, CRIMSON STAFF WRITER | Title: Oresteia: ‘A Harvest of Much’ Talent | 5/2/2005 | See Source »

...saga of Yurchenko was played out against a backdrop of defection politics that further taxed the Administration. In Afghanistan a Soviet soldier who had sought refuge at the U.S. embassy in Kabul finally left in the company of the Soviet Ambassador last week, but only after the embassy had been ringed by hundreds of Soviet and Afghan troops for five days and its electricity and phone lines cut off. In New Orleans, a dispute continued to simmer over the fate of Miroslav Medvid, the Ukrainian sailor from a Soviet grain freighter who jumped ship twice, only to be returned both...

Author: /time Magazine | Title: The Spy Who Returned to the Cold | 4/18/2005 | See Source »

When the lights first dimmed, the aptly-titled dance “Emergency” (choreographed by Jetta G. Martin ’05) hit the stage. Against a screen backdrop that urgently reflected a stark red light, maroon-sleeved dancers crowded the stage in movements that were alternately well-coordinate and disjointed. Whether or not the assumption and loss of uniformity was deliberate, the entire play proceeded and matched seamlessly the oblong and stacatta-driven notes of the soundtrack composition (written impressively by Patrick J. Bradley ’05). Although the dancers’ lack of coordination...

Author: By Vinita M. Alexander, CRIMSON STAFF WRITER | Title: ARTSMONDAY: The Classical and Funky Meet at Dancers’ Viewpointe Showcase | 4/18/2005 | See Source »

Less critically acclaimed, but similarly eccentric, “The Man Who Cried” (2000) is a love story of sorts set against both the cultural backdrop of the opera scene and the physical and social landscape of Europe at the start of World...

Author: By David G. Evans, CONTRIBUTING WRITER | Title: Potter Questions Post-9/11 Capitalism | 4/15/2005 | See Source »

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