Word: backe
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Dates: during 1970-1979
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...lack of structure and amorphous aspirations to write love songs do not sustain this album. Hubbard traces some of her roots back to Tchaikovsky, and she has clearly picked up the less desirable traits of the late 19th century romantics from her years of classical training. Her piano style is heavy-handed, unsubtle and flashy. She alternates booming chords organized in the most predictable of charts, with grandiose runs up and down the keyboard which sound like pallid attempts to imitate Keith Jarret's flourishes. The arrangements do nothing to cover for Hubgaucheries. To evoke Arabia, Hubbard gives us Bedouin...
Survival consists of good, basic reggae. Marley's rhythm guitar playing is as good as ever. His female back-up group, the "I Threes," has improved and the percussion hammers with greater variety. Marley relies often on the harmonica, using it in original ways. Junior Marvin dazzles on lead guitar, interpreting fine intricate melodies though other instrumentation often buries his talent. (Marvin brought the crowd to its feet last summer with his acid-rock, Hendrix-style riffs; when Marley came out, Marvin toned down...
Harvard had taken a 40-point lead during the meet's first day, but the Tigers--on the strength of their freestyle depth--had clawed their way back into contention. The fact that Princeton featured four of the meet's top eight 200-freestylers competing on their relay team seemed to guarantee a win for the Tigers in that event, the momentum from which they hoped would carry them to victory on the third and final...
...humiliation stung him, and it seems no accident that when he married, into the wealthy and socially prominent Sedgwick family of Stockbridge, Mass., he found much to resent among his in-laws. His second wife came from a similar back ground, and neither marriage was successful. By the time' Marquand wrote The Late George Apley and H.M. Pulham, Esquire, he had earned his wry attitude to ward the well born...
...concert film. The band members do not appear in the movie as performers but turn up only in the background score and occasional still photographs. Rather than make a safe companion piece to the film version of Tommy, The Who have daringly cross-fertilized American Graffiti with Look Back in Anger...