Word: backe
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...decade that followed, Renoir became one of the movement's first apostates. Impressionism affected many people in the 19th century in much the way the Internet does now. It both charmed and unnerved them. It brought to painting a novel immediacy, but it also gave back a world that felt weightless and unstable. What we now call post-Impressionism was the inevitable by-product of that anxiety. Artists like Seurat and Gauguin searched for an art that owed nothing to the stale models of academicism but possessed the substance and authority that Impressionism had let fall away...
...woman who is a goddess - or at least harks back to one - that's a different matter. It would be Renoir's aim to reconfigure the female nude in a way that would convey the spirit of the classical world without classical trappings. Set in "timeless" outdoor settings, these women by their weight and scale and serenity alone - along with their often recognizably classical poses - would point back to antiquity...
...time, Renoir worked with figures so strongly outlined that they could have been put down by Ingres with a jackhammer. By 1892, the year with which the LACMA show starts, he had drifted back toward a fluctuating Impressionist brushstroke. Firmly contoured or flickering, his softly sculpted women are as full-bodied as Doric columns. This was one of the qualities that caught Picasso's eye, especially after his first trip to Italy, in 1917. He would assimilate Renoir alongside his own sources in Iberian sculpture and elsewhere to come up with a frankly more powerful, even haunting, amalgam...
...Barry Mizen, whose 16-year-old son Jimmy was murdered in 2008, says his family endured months of personal attacks on a Facebook page that was created after Jimmy's killer, Jake Fahri, was convicted and sentenced to life in prison last March. "The words going back and forth were getting really nasty - it was just so undignified," says Mizen, who lives in southeast England. "My children were taking it very personally." Around the same time, taunting messages also started to come from Fahri's Twitter account, including one that said, "Jimmy Mizen was a pathetic loser." "There...
Bigelow has often found herself at the center of discussions on gender and filmmaking; this year, as the fourth female director ever to be up for an Oscar, she is even more so. The topic sends her back to her art-world days. "I never thought of a particular artist or school of art in gender terms," she says. And yet she accepts the idea that she might be a role model and is sympathetic to the fact that, as she puts it, "the journey for women in many venues - be it politics, business, film - is a long and difficult...