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...Hill, who also had a supporting role in “Forgetting Sarah Marshall,” has embraced the chance to change roles. Instead of resurrecting his character from “Sarah Marshall”—a silly, slightly manic waiter—Hill went back to the drawing board for the mild-mannered Aaron Green...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

Hill’s vision of comedy stems from  myriad sources, a strange and varied list including everything from Martin Scorcese to “The Simpsons.” However, his comedic sensibilities inevitably come back to Woody Allen...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...Their Eyes,” is the fourth feature-length film by Argentinean director Juan José Campanella. Based on Eduardo Sacheri’s novel “La pregunta de sus ojos” (“The Question in Their Eyes”), the film flits back and forth between 1974 and the present day, as it tells the story of Argentinean formal federal justice agent, Benjamín Espósito  (Ricardo Darín) who is haunted by a 25-year old unsolved crime, as well as the lost opportunities in his love life...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret in Their Eyes | 4/20/2010 | See Source »

...further. It does not take long for the incessant action to turn into monotony. Viewers are presented with painfully gory scenes set to painfully sentimental music, for painfully long periods of time.  But those scenes make no gesture at self-awareness; instead, the camera takes a step back and gives viewers a lot of time to contemplate the violence, making the scenes tedious, slow, and overwrought...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret in Their Eyes | 4/20/2010 | See Source »

...form a brilliant triple act with “Odessa,” venturing daringly into various subgenres of dance but with a firm safety line linking them to Caribou’s dreamy home territory. Soon enough, though, that line starts to drag the record back towards Caribou’s earlier sound, and “Swim” experiences something of an identity crisis. Caribou seems to lose his nerve, and the meandering, spacey sounds of “Andorra” reappear...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

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