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Jody is speaking on the phone a continent away, somewhere near Los Angeles. She might be sitting in a chair in her dining room. A land phone rings every once in a while and she pauses to see the caller. A dog barks in the background. In the middle of speaking about a roommate in New York she ushers her husband pleasantly out the door: “He’s looking longingly at the kitchen counter like, ‘Can I get lunch today or is that a lost cause...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Harvard That They Knew | 3/11/2010 | See Source »

Kirkland House weighs in with a mere 14-second video clip.  With T.I.’s “What You Know” playing in the background, red letters on a black background read, “There’s really only one thing you need to know about Kirkland House. The ‘Holiday Dinner and Dance’ is for Kirkland Residents only.” A last ditch effort to endorse Kirkland with the days counting down? Maybe the prospect of Incest Fest will be enough to excite incoming Kirklanders...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Houses Keep Churning Out Videos | 3/10/2010 | See Source »

...Sankofa”—the theme of BAF this year. A Ghanaian word literally meaning, “go back and take,” this expression inspired artists from all walks of life to create works which reflected their cultural and personal background. Beyond that, “Sankofa” implies using one’s history as an impetus to make progress...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Festival Celebrates Diversity | 3/9/2010 | See Source »

Though Eugenides is half-Greek and “Middlesex” is centered on the ancient traditions of tragedies, epics, and myth, he confessed that the novel is less autobiographical than might be expected—drawing from his personal background more for literary authenticity than plot...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Eugenides Dispenses Advice to Aspiring Writers at Advocate | 3/9/2010 | See Source »

...confidently spits, “There’s rappers and dealers and players and me / They say that they’re winners / Okay, well let’s see.” Not only are these rhymes depressingly conventional, but worse, they cast the beats in the background, thereby preventing the best aspect of “Plastic Beach” from shining through. This same problem is present on “White Flag,” in which banal rhymes ultimately dominate the fantastic opening of the Lebanese orchestra, who create an exotic and fast-paced...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Gorillaz | 3/9/2010 | See Source »

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