Word: backing
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Dates: during 1930-1939
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...month Wingen was evacuated. From Paris hurried short, scholarly, white-mustached René Lalique, now 79 and ailing, to salvage his irreplaceable molds. He found his factory's fires out, soldiers at its gate. "No one goes in here," they told him. Sick at heart, Glassmaker Lalique went back to Paris. Closed, possibly forever, was a glassworks which combined art with the assembly line...
...philosophers. But applicants learned how to get around his rule: they brought manuscripts to his office. Dewey peeked at them through a crack in the door, invariably melted and let them in. Having promised to read and criticize a manuscript, he always did so-even if he sent it back to the wrong address...
...European exhibitors. But Italy, War II's No. 1 neutral, obviously expects to fence-sit for at least another month. Already in the U. S. are the Italian experts who will re-crate the group of Renaissance masterpieces Italy sent to the Golden Gate, escort it back across the Atlantic...
...Hart rove as far from the campus as they please. In Spic & Spanish, dark, Puerto Rican St. Vitus Dancer Diosa Costello does everything but break a leg. In I Didn't Know What Time It Was, charming Marcy Wescott tremulously chalks one up for love. In Give It Back to the Indians, Rodgers & Hart sell short the Manhattan they raised a glass to in the Garrick Gaieties. In I Like to Recognize the Tune* Rodgers & Hart-who hate swing-give "hot" bands an earful...
Ladies and Gentlemen (produced by Gilbert Miller; by Ben Hecht & Charles MacArthur from a play by Ladislaus Bush-Fekete) brings Near-Divinity Helen Hayes back to Broadway in her first new role there since December 1935. For this Broadway can rejoice, even though finding anything to rejoice at in the play itself is like looking for a needle in a Hayestack. After a two-month tryout, this thing of shreds & patches is still, like Gaul, divided into three parts-comedy, drama, romance -and, as in Gaul, the three parts are on very uncivil terms...