Word: backing
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Dates: during 1970-1979
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Dachau: 1936. The sun is hellish. Two men in prison garb stand in front of an electrified fence. Max (Richard Gere) and Horst (David Dukes) must carry heavy rocks from one side of the prison yard to the other, drop them in a pile and then carry them back. This task of inspired idiocy is designed not only to break their bodies but to crush their minds and spirits. Their crime: being homosexuals...
...long time, back in their early days, the four received a great deal of notoriety for smashing their instruments at the end of each performance. It was, at first, a flashy, frightening and finally exhilarating thing to see. Drummer Keith Moon blew up his drum kit, and Townshend rammed the neck of his guitar into his amp, while Daltrey slammed his microphone against the stage and Entwistle held tight to his bass, playing stubbornly on like a shipwreck's lone survivor trying to keep dry in a leaking lifeboat. There was too much discussion about how all this was rock...
...band and trying to sound like more," Entwistle told TIME's Janice Castro. "I play standard bass, but I combine it with long runs where I take over the lead while Pete bashes out chords." Townshends guitar style?a sort of flywheel progression from rhythmic chords to melody and back again, all performed with whirling arms, splits, slides and high jumps?attracted as much attention as his songs. An early Townshend tune like My Generation, with a chorus od stuttered definace ("Why don't you all f-f-f-fade away") and its refrain like a middle-finger salute ("Hope...
...came on strong in Britain, but in America was outpaced by the Beatles, who were beloved by all, and the Rolling Stones, who were even then playing devil's advocate in the Beatles' bright shadow. The Who made its first American appearance in 1965. Two years later, back again, the group was supporting Herman's Hermits on tour, giving those coy little gnomes nightly musical lumps and attracting a loyal band of American supporters...
...unchanged. The Who continued to battle among themselves, drawing sustenance from friction that often flared into spot fires, blazing quickly and suddenly like canyon conflagrations in Los Angeles. Everyone had quit the group at one time or another. In 1965, Daltrey left, vowing to form another group, and came back a week later. "I thought if I lost the band I was dead," he says now. "I realized The Who was the thing, the reason I was successful. I didn't fight any more ... for a couple of years." Townshend, however, was not trying as strenuously to keep...