Word: backlasher
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...would not have stood a chance against Garofoli, since the latter would have carried traditional Democratic areas. With Carney as an opponent, however, Perk could count on a large Democratic crossover. He was able to equate both of his opponents with Carl Stokes, and therefore capitalized on the white backlash. The anti-Stokes support that would have gone to Garofoli now gravitated to Perk. While both Pinkney and Carney were unfolding detailed plans to help cure the city's financial problems. Perk based his entire campaign on a law-and-order, anti-corruption, anti-Stokes platform. In a city beset...
...airport November 3 with a crowd of West Siders on their way home from work. I happened to catch a glimpse of the headlines of the Cleveland Press, which said it all: "Perk Vows Safe Streets". A series of unique circumstances compounded by Stokes' political myopia permitted the backlash to overwhelm the forces of progress in Cleveland...
BOSTON. In the beginning, Boston's mayoralty race shaped up as a political donnybrook between archenemies Kevin White and Louise Day Hicks, with Mrs. Hicks, who to many has been the Bella Abzug of the beer and backlash set, expected to be doing most of the punching. In 1967, after having served seven years as Massachusetts secretary of state, White handily defeated Mrs. Hicks for the mayoralty. In 1970, Mrs. Hicks ran for and won ex-Speaker John McCormack's old seat in Congress. By last year White's popularity had slipped so badly that when...
...Henri Matisse (1869-1954) and Marcel Duchamp (1887-1968). To artists nurtured on Duchampian irony, the very idea of the culture-hero, which Picasso embodies, is suspect. The last 15 years have seen a reaction against the cult of expressive personality in art, and Picasso has caught the backlash. He took the virtuoso's role, enlarged it, identified it with himself, and reamed out all its possibilities. Hence nobody else can play it: there is no act left to follow. Picasso's current work means little or nothing to other artists, and no living painters influence...
Both Perkins and Michael L. Gruber '72, who was appointed programming director, said that WHRB had made major changes in the past several years. "But some backlash--a desire to 'hold the line'--was created, and that was the issue in this election," Gruber said