Word: backlit
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Dates: during 1967-1967
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...level irritant than a dramatic advantage, and the occasional snippets of music seem too often either obvious or inappropriate. The actor's chief virtues are as objects rather than performers: Robin Woodard as Sally has an appropriately blank countenance, and a fascinating profile, which Edlestein uses repeatedly, often backlit, to suggest her mysterious vacuity; Hope Wilson as Kate is blessed with straightforward beauty and a rare up-from-under smile; Eric Sherman as John has a face which suggests a different value from every angle, by turns smug or harassed, depressed, or elated, dull or clever. Edlestein himself, playing Kate...