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...from transgenic breeds. The E.U. rules mean imported GM food has to be labeled and separated along the supply chain to safeguard against "contamination" of organic farms. Any produce containing more than 0.9% GM content must be labeled as such, a policy that can lead to shipments being sent back...

Author: /time Magazine | Title: Is Europe Finally Ready for Genetically Modified Foods? | 3/9/2010 | See Source »

...many, this introspection was inspired by the idea of “Sankofa”—the theme of BAF this year. A Ghanaian word literally meaning, “go back and take,” this expression inspired artists from all walks of life to create works which reflected their cultural and personal background. Beyond that, “Sankofa” implies using one’s history as an impetus to make progress...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Festival Celebrates Diversity | 3/9/2010 | See Source »

...festival invited various interpretations of what it means to look back and move forward. This year, BAF began with a panel discussion about Black Art featuring renowned poet and writer Amiri Baraka, one of the central figures in the Black Arts movement in Harlem during the 1960s. The panel also featured two perspectives from a younger generation—spoken word artist Joshua Bennett and scholar Cameron Leader-Picone, a fellow at Harvard’s W.E.B. Du Bois Institute. In defining Black Art, Baraka spoke of his experiences growing up in a segregated society and took an explicitly political...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Festival Celebrates Diversity | 3/9/2010 | See Source »

While “The Ghost Inside” demonstrates how Mercer’s voice merges with Burton’s aesthetic, opener “The High Road” slips back and forth between two respective worlds, sounding more like The Shins as imagined by Danger Mouse then a project of its own. The song finds Mercer’s piercing voice singing a refrain with just the right amount of poeticism—“Cause they know and so do I / The high road is hard to find”—over...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Broken Bells | 3/9/2010 | See Source »

Mercer and Burton largely stick to their basic styles, and thus their joint product is not as experimental or original as one might have hoped. The sole creative peak is “Sailing to Nowhere,” which takes a number of surprising turns, beginning by oscillating back and forth between two different riffs until a swell of cosmic synth noises emerges, climaxing in an explosion of strings and an electric guitar solo. The transient nature of “Sailing to Nowhere” makes it one of the most captivating songs on the album, and shows...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Broken Bells | 3/9/2010 | See Source »

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