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Word: bacons (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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GUGGENHEIM-Fifth Ave. at 89th St. More than 60 oils by Francis Bacon, the myopic English master of howling, human agony. Yammering popes, chittering baboons, keening sides of beef hang alongside the terrifying visceral Three Studies for a Crucifixion. Through...

Author: /time Magazine | Title: Art: Art in New York: Nov. 8, 1963 | 11/8/1963 | See Source »

Pretzel Poses. Bacon studies man through the man-made images of photography. Barricaded in his flat with blankets across the windows, he uses reproductions from art books and sensational photos from newspapers as his models. He painted a series of gnarled, garishly colored portraits of his predecessor in agony, Vincent Van Gogh, after reproductions of the Dutch artist's long-lost The Artist on the Road to Tarascon. Most famous of his serial portraits are those of screaming pontiffs modeled after a papal commission by Velásquez (see opposite page). Though he has been through Rome, where Pope...

Author: /time Magazine | Title: Art: In the New Grand Manner | 11/1/1963 | See Source »

...images that haunt Bacon haunt his viewers even more. Great bisected sides of beef are constant and chilly recurring still lifes in his works. "I look at a lamb chop on a plate, and it means death to me," says he. The human figure is contorted into pretzel poses, sodden and stiff as if in rigor mortis. His cubism is boldly uncubical: blurry whorls, bulges, and lumps perform the cubist function of showing one object from all sides in a series of succeeding moments -an idea partly derived from a photo of a chimpanzee in Ozenfant's Foundations...

Author: /time Magazine | Title: Art: In the New Grand Manner | 11/1/1963 | See Source »

Ghastly Gallop. In one of his most recent works, Landscape near Malabata, reminiscent of the outskirts of Tangier where he used to vacation, Bacon dissolves trees, grass and ghostly beasts into a ghastly gallop around the center of his canvas. Faster and faster they seem to run, until the shadows no longer keep up with what is casting them. One brushstroke more could throw it out of step, and Bacon knows it. He destroys more canvases than most artists paint...

Author: /time Magazine | Title: Art: In the New Grand Manner | 11/1/1963 | See Source »

...portrait of man, and his avaricious eye is often bigger than his brush. "I am trying to communicate with myself, and I keep hoping that one day I'll knock myself backward with the impact of what I've done." Until then, the chances are good that Bacon will continue bowling over everybody else...

Author: /time Magazine | Title: Art: In the New Grand Manner | 11/1/1963 | See Source »

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