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Word: bacons (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Number one player Art Scherer, who was elected captain earlier in the afternoon, won his match, as did Ned Bacon at three and Bill Nolan...

Author: NO WRITER ATTRIBUTED | Title: Freshman Sports | 4/23/1975 | See Source »

...freshman squad also defeated Yale yesterday, but by a much closer 5-4 margin. Ned Bacon, Mark Panarese, Art Scherer and Karl Bostic all won their singles matches, then Scherer and Bostic teamed up to win their doubles match and lead the Yardlings past the Bulldogs...

Author: By James E. Mcgrath, | Title: Tennis Squad Destroys Yale In a 14-1 Rout | 4/19/1975 | See Source »

...Metropolitan Museum's current show, "Francis Bacon: Recent Paintings 1968-1974," testifies to his success in that haughty project. When Bacon was first talked of in England 25 years ago, his images of ectoplastic businessmen and screaming Popes, based on such then unlikely-sounding sources as pioneer Cameraman Eadweard Muybridge's serial photographs of human and animal motion, a textbook on radiology, stills from Russian Director Sergei Eisenstein's movies, and an exquisitely colored handbook on diseases of the mouth, were seen as a Guignol of existential dread. Indeed, the scariness of Bacon prevented many people from...

Author: /time Magazine | Title: Art: Screams in Paint | 4/7/1975 | See Source »

Oval Loops. In the past two decades, Bacon's work has gained immeasurably in its scope of color and plasticity of drawing. With the recent triptychs and other paintings, his ambition to reinstate the human figure as a primary subject of art has been to some degree fulfilled. No other living artist can paint flesh at this pitch of intensity, in this extremity of rage, loss and voluptuousness, or with this command over pigment. His typical setting is familiar: an anonymous oval room. It has tubular furniture, somewhere between a Corbusier couch and an operating table. Sometimes a bare...

Author: /time Magazine | Title: Art: Screams in Paint | 4/7/1975 | See Source »

Paint, in Bacon's hands, acquires a strict and intimidating richness. Working in fast oval loops of the brush, he can give the skin of his nudes a kind of granular density, a thickness of imagined substance, that is quite old-masterly. The flesh is loose, but it is all structure too; and when the form beneath it slides away, obliterated by a wipe of the rag, Bacon can instantly tighten the image back with one detail - an eye, a patch of spiky hair like hedgehog quills. To a degree few other painters can rival, Bacon convinces you that...

Author: /time Magazine | Title: Art: Screams in Paint | 4/7/1975 | See Source »

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