Word: bacons
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...Santa Barbara. When the Reagans are in residence, TV networks station cameras with giant telephoto lenses on a hilly knob in the Santa Ynez Mountains, three miles from the presidential retreat. Even from that distant vantage point, the equipment is almost powerful enough to show how many rashers of bacon are on the Reagans' breakfast plates. This summer ABC was especially eager to capture a recuperating Reagan on horseback, so the news editors went to the sports division for an even more powerful lens...
Bell reportedly also singled out Perry Bacon, a former manager at Hutton's Alexandria, Va., branch. Bacon's office sometimes had overdrafts of $9 million on deposits of only $100,000. He has since become vice president of a Hutton branch in Washington...
...sandwich holders; chili oils and fruit sauces for barbecues. Surimi, a preserved-fish product developed in Japan a thousand years ago, has been reshaped for the American market to look like shrimp and crab legs. Tempeh, the Oriental fermented soybean cake, is here formed and flavored to simulate bacon and pastrami...
...like the succession of displayed facts and transparent planes in cubism, but as though they had endured some terminal rearrangement by massage. Their shape retains an obstinate integrity, the precise result of a sudden movement. And by the early to mid-'60s, the time of the great triptychs, when Bacon decisively abandoned the "spectral," scumbled evocations of the face used in his Popes and caged businessmen, his figures had begun to embody an immense plastic power. Sometimes these creatures, knotted in contrapposto, seem desperately mannered; but there are other moments when the smearing and knotting of flesh, not so much...
None of this would be possible without Bacon's mastery of the physical side of painting. Much has been made of his reliance on chance, but it seems to have affected his life (he is an inveterate gambler, an addict of the green baize) more than his art. One could say the ejaculatory blurt of white paint in a painting like Two Studies for a Portrait of George Dyer, 1968, is chancy, but that kind of chance is easily manipulated with practice, and it rhymes suspiciously well with other curves in the painting (like the back of the chair...