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...staff saw immediately that physiology was but one approach and that there was a great need for a clearing house of scientific information on the subject. As Selden D. Bacon, Director of the Center and a Yale professor of Sociology, states, "Alcohol cuts across almost every field of human knowledge. Sociology, literature, chemistry, economics, anthropology--to mention only a few--are all concerned at one time or another with the use and effects of alcohol...

Author: By Richard A. Burgheim, | Title: Yale Center of Alcohol Studies Investigates Drinking Habits of Carefree Undergraduates | 11/21/1953 | See Source »

...King and his aides were hustled into the farmhouse, where they were introduced to Farmer J. George Smith, 36, and his family. Then everybody sat down to a solid country dinner-fried chicken, acorn squash, mashed potatoes, string beans with bacon drippings, cider and green apple pie. King Paul explained that he preferred white meat, but the Queen, he said, liked dark meat, and "between us, we lick the platter clean." Then, to the astonishment of the Smiths, he recited the Jack Sprat nursery rhyme and promptly cleaned his own platter...

Author: /time Magazine | Title: FOREIGN RELATIONS: Nothing but Cadillacs | 11/16/1953 | See Source »

...honor had been hanged from a scaffold and put to the torch, speakers denounced McCarthy's "terror tactics." An outgrowth of days of bull sessions on "McCarthyism." the demonstration evoked mixed reactions even on the campus. When the student newspaper Varsity took a favorable stand. News Editor Paul Bacon resigned, commenting: "I dislike Communism to the extent that I feel any measures directed against its destruction are fair." Varsity insisted: "The burning succeeded in its purpose ... It brought to the surface one of the most threatening movements of the postwar world...

Author: /time Magazine | Title: The Hemisphere: Student Rag | 11/16/1953 | See Source »

Bland, boyish and 42, Bacon lives in London, vacations in Riviera gambling halls. Among his pet subjects in the past were visceral creatures squatting on table tops, elephants in the veldt, misty male nudes and bloody-fanged dogs, all glazed with horror. Critical reaction to Bacon's art has been a rather alarmed "Splendid!" Wrote London Critic Eric Newton: "Mr. Bacon contrives to be both unforgettable and repellent . . . [This] requires genius -an unhappy, desperate kind of genius...

Author: /time Magazine | Title: Art: Snapshots from Hell | 10/19/1953 | See Source »

...Bacon approaches his subjects in the grand manner; he isolates each one, gives it lots of room in a big canvas and paints it with virtuoso brilliance and economy. Perhaps his chief distinction is that he captures in painting the quality of disembodied urgency, of pain writhing in a void, that is peculiar to many news pictures of violent death (for source material, Bacon collects old newspaper photographs, preferably of crimes and accidents). Bacon has a trick of veiling faces with a wispy scumble of paint that creates an illusion of motion, like a photograph in which the subject moved...

Author: /time Magazine | Title: Art: Snapshots from Hell | 10/19/1953 | See Source »

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