Word: badã
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...including the basic elements of the genre–offbeat drum slaps, arrhythmic, almost conversational vocals, and damn near the same beat every time. Grime, by definition, sounds almost the same. With all this repetition, it’s a lucky thing that there are no “bad?? songs on the compilation. Again, it has an album-like listening arc, so the Nas-sampling track “Can’t You See” by Klashnekoff, although little more than hip-hop with a British accent, doesn’t sound out of place...
...Haller is not “bad?? but rather, “complicated”: he makes one client’s mother bleed her retirement fund, but he also hires a former felon as a driver, giving the young man a chance to go straight. Haller is an intriguing character and easily one of the finest Connelly has ever constructed...
...that the U.S. had helped to create into ¨good and bad.” The World Trade Organization and other monetary and patent agreements are “good.” The Kyoto Protocol, the International Criminal Court and certain war conventions are “bad??— deemed “threats to American sovereignty” by organizations like the New American Century. “For these people,” he said, “9/11 was like manna from heaven,” as it resulted...
...themselves, just without being busted.Was Johnson going to knock on Murphy’s door, step into his office and say: “You know, coach, I’ve been thinking about Russ and Dez. Me and some of the guys think what they did was really bad??really bad??and you should probably go ahead and tack on a little more punishment. Maybe keep them out of spring ball too.”?Of course not. Johnson shouldn’t be blamed for trying. He’s obviously a good teammate...
...naturally tend towards archetypes. While this effectively spreads the film’s overarching religious themes—forgiveness and faith—it prevents the audience from wholly identifying with the two-dimensional Orthodox characters. The director’s blatant stereotyping of the “bad?? non-Orthodox guests and the “good” Jewish Basangas seems over moralizing and detracts from the characters’ believability. When one exits the theatre, the religious maxims continue to echo, but the characters’ emotions remain as distant as at the opening credits...