Word: bad-boy
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...back up, New York Times columnist Maureen Dowd's interview with Geffen in the next morning's newspaper certainly was. Geffen, a big fundraiser for the Clintons in the past, called Obama "inspirational" and dismissed Hillary Clinton as "overproduced and overscripted." As for her husband, Geffen suggested that his bad-boy days are not behind him: "I don't think anybody believes that in the last six years, all of a sudden Bill Clinton has become a different person." And to top it off, he said this about the two of them: "Everybody in politics lies, but they...
GORDON RAMSAY'S F WORD BBC AMERICA, SUNDAYS, 9 P.M. E.T. Turns out Ramsay knows how to do something besides swear. The bad-boy Brit best known for filleting aspiring chefs on Hell's Kitchen reveals his reserved(ish) side, showing off his home kitchen and chatting up celebs between rounds of chewing out cooks at his restaurant. (I didn't say he forgot how to swear.) F Word (stands for food) is enjoyable less for cooking tips than for Ramsay's political incorrectness about, say, foie gras, the buttery liver produced by force-feeding ducks and geese. "Some people...
Gaultier showed an equally commercial collection of slouchy athletic-inspired dresses over neon-bright fishnet stockings. Like Galliano, Gaultier has never been at a loss for ideas. And he celebrated his 30th anniversary in fashion by marching every one of those bad-boy notions down his runway--from the prescient 1976 leather motorcycle-jacket look to Madonna's cone-bra dress. Every look came off as current, which is why Gaultier is so good. He knows how to break the rules and keep his clothes classic. Fashion could do worse when looking for a new engine: create that which...
...Come Knocking, one of the closing movies of the Sundance Film Festival, which ended Sunday, is the story of Howard Spence, a washed up bad-boy star of Westerns, who makes a last ditch effort to reconnect with the people who genuinely love him. The film, which was shot in small towns in Utah, Nevada and Montana and will be released by Sony Pictures Classics on March 17, reunites German director Wim Wenders and American playwright/actor Sam Shepard, two icons of the independent art world who first teamed up for the acclaimed Paris, Texas (1984). They spoke to TIME about...
...Suddenly audiences could not be counted upon to treat a given wrestler automatically as a villain simply because he was identified as a Russian,” Cantor observes. And the World Wrestling Federation’s new bad-boy of the early 1990s, a pro-apartheid white South African character named Colonel DeBeers, failed to rouse audiences?...