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...cast not as a Scottsboro Boys-style docudrama of racial injustice in the '30s but as a daughter's loving evocation of her dad, seen through a child's eyes. This is the perspective that Foote's Oscar-winning script faithfully transposed to the screen, and that Mary Badham, who played Scout Finch, embodied with such unaffected clarity that, at 10, she received an Oscar nomination for Best Supporting Actress. As for Mulligan, no one has cited him for anything but the sensitive handling of story, actors, camera and mood...

Author: /time Magazine | Title: Mockingbird Director Robert Mulligan Dies at 83 | 12/21/2008 | See Source »

...Grand Tour, the French officials who ran Napoleon's kingdom in Italy, his fellow expatriate artists--with stylish brio and steely exactness. It is fascinating to see him shifting through different levels of notation--for example, between the subtle, continuous modeling of the face of Mrs. Charles Badham (1816) and the brisker, more linear treatment of her shawl and clothes, and the subtle ghost traces of Roman architecture behind her. Nobody understood this medium better than Ingres, and the show contains some of the most exquisite pencil drawings ever made...

Author: /time Magazine | Title: Art: The Faces of an Epoch | 3/8/1999 | See Source »

...going to suffer is bad reviews and, conceivably, a drop in his asking price. Even so, the evidence suggests that Depp is a man who comes into sharp focus and, more important, attains full life only when he loses himself in a role. The first time director John Badham met the actor he intended to cast in his thriller Nick of Time, he did not recognize him. "He looked like one of those Identi-Kit police drawings," he says, a rough sketch waiting to be rounded out and colored in by his next role...

Author: /time Magazine | Title: DEPP CHARGE | 3/3/1997 | See Source »

...wisdom, which insists that an actor must assert at least some aspect of his nature that the audience can identify and cling to as he moves from picture to picture. Scissorhands proved to Depp that he could work in his own way. "He transforms himself into the character," says Badham. "He's not going to do what some actors do, and transform the character into themselves...

Author: /time Magazine | Title: DEPP CHARGE | 3/3/1997 | See Source »

...hints of Depp's other main line, which consists of making something quite hypnotic out of a passivity enlivened by nothing more than watchful alertness. He used this strand in his oddly matched pair of accountants, one of whom is drawn against his will into an assassination plot in Badham's Nick of Time, while the other is bedeviled by various personifications of frontier mythology in Jim Jarmusch's shaggy, satirical western, Dead...

Author: /time Magazine | Title: DEPP CHARGE | 3/3/1997 | See Source »

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