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...BILLY JOE, an extrapolation on Bobbie Gentry's 1967 back-country ballad about the young boy who jumped off the Tallahatchie Bridge, is a nice surprise. Director Max Baer (Macon County Line) has a good, close feeling for the rural South, and the movie-shot on location in Mississippi-is careful about people, sharp in selecting and using details of landscape: hushed green fields, a sinuous, umbilical river, a house perched on the edge of woods as if waiting to be enfolded in the trees. Herman Raucher's screenplay concerns the real reason Billy Joe threw himself...

Author: /time Magazine | Title: Cinema: Summer Clearance | 9/20/1976 | See Source »

...Thomas Baer Chicago...

Author: /time Magazine | Title: Forum, May 3, 1976 | 5/3/1976 | See Source »

...Erma E. Baer...

Author: /time Magazine | Title: Forum, Dec. 15, 1975 | 12/15/1975 | See Source »

...Braddock's luck faltered. During the Depression he worked on the docks and went on the dole, but he kept on fighting -and losing. After a surprise victory in 1934, he disposed of three strong contenders for the heavyweight crown and earned a shot at Champion Max Baer's title. Braddock skillfully outboxed Baer for 15 rounds, winning a unanimous decision and Damon Runyon's sobriquet "the Cinderella...

Author: /time Magazine | Title: Milestones, Dec. 9, 1974 | 12/9/1974 | See Source »

...movie, which is ragged but forceful, is said to be based on a true story. It sometimes seems much too pat in its converging ironies, but it is a credit to Baer and the deft action directing of Richard Compton that County Line at least assumes, in its strongest passages, the rueful sting of fact...

Author: /time Magazine | Title: Cinema: The Sting of Fact | 10/14/1974 | See Source »

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