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MACON COUNTY LINE Directed by RICHARD COMPTON Screenplay by MAX BAER and RICHARD COMPTON

Author: /time Magazine | Title: Cinema: The Sting of Fact | 10/14/1974 | See Source »

This is a beefy, low-budget thriller that provides a few surprises. The milieu is rural America in the 1950s, a place in recent history that has become crowded with avaricious time travelers since the success of American Graffiti. One of the protagonists (portrayed vigorously by Max Baer, who served as producer and helped with the scenario as well) is an atavistic sheriff, the sort of gun-toting good ol' boy who gives law enforcement down South a certain cave man cast. The sheriff represents just that sort of legalized mayhem that made Walking Tall such...

Author: /time Magazine | Title: Cinema: The Sting of Fact | 10/14/1974 | See Source »

...Baer is careful to give the criminals an odd kind of motivation. The one who does the killing is a psychopath who had himself been brutalized by cops. When he realizes that the woman is a police man's wife, he goes crazy. The implication that violence breeds more violence is not novel, but welcome nonetheless in a time when audiences cheer and holler as Charles Bronson plays judge and jury with a pistol...

Author: /time Magazine | Title: Cinema: The Sting of Fact | 10/14/1974 | See Source »

...from its delicious hot breads, "Atlanta was a wasteland as far as good bread goes," she recalls. Her favorite recipe-and that of many other amateur loafers interviewed by TIME-is for Julia Child's French bread, which also gets high praise from Beard. Other specialties of Mrs. Baer-man's are French croissants and brioches, as well as sourdough bread, which has a tart flavor imparted by a quirky starter, the homemade leavening agent that gold-rush miners used to prize almost as highly as tailings...

Author: /time Magazine | Title: Modern Living: Taking to Baking | 6/10/1974 | See Source »

...defense case rather than helped it. Attempts to depict Krenwinkel and Van Houten as good girls from wholesome backgrounds only indicated to the jury that they had less reason to rebel than Atkins, who had suffered through a troubled adolescence. The death sentences bothered some, like the pious John Baer, who had to do some delicate rationalizing: "In the trial the defense lawyers said that the Mosaic law of an eye for an eye and a tooth for a tooth had gone out of effect nearly 2,000 years ago. I believe that although Jesus Christ came to show...

Author: /time Magazine | Title: The Law: Life Among the Manson Jurors | 4/12/1971 | See Source »

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