Search Details

Word: bagnold (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Chalk Garden. Transplanted from stage to screen, Enid Bagnold's witty, pitiless and elliptical high comedy yields only a withered bouquet of hearts and flowers. Made by Producer Ross Hunter, who customarily trafficks in Doris Daysies, the movie is all thumbs, none of them green...

Author: /time Magazine | Title: Cinema: All Thumbs, None Green | 5/29/1964 | See Source »

Patently contrived, the plot gave Author Bagnold a framework on which to hang some illuminating asides about "the astonishment of life" and life's wasted possibilities. But Scriptwriter John Michael Hayes sticks doggedly to the substance of a story that was all shadows, revealing a sure instinct for the nonessential. In this version, Governess Kerr and Butler Mills are obviously made for each other and for a formula fadeout. The younger Mills, abrim with mental health and ebullient spirits and thus strikingly miscast, suggests that she alone knows what it is that makes this Garden grow. Potash? Peat moss...

Author: /time Magazine | Title: Cinema: All Thumbs, None Green | 5/29/1964 | See Source »

...CHINESE PRIME MINISTER. In a triumph of style over substance, this drawing-room comedy pours some intellectual eyewash about old age as if it were Dom Perignon. But Playwright Enid Bagnold writes with unfailing grace and literacy, and Margaret Leighton is an actress who can do no wrong...

Author: /time Magazine | Title: Time Listings: Jan. 24, 1964 | 1/24/1964 | See Source »

...Broadway THE CHINESE PRIME MINISTER. In a triumph of style over substance, this drawing-room comedy pours some intellectual eyewash about old age as if it were Dom Pérignon. But Playwright Enid Bagnold writes with unfailing grace and literacy, and Margaret Leighton is an actress who can do no wrong...

Author: /time Magazine | Title: Television: Jan. 17, 1964 | 1/17/1964 | See Source »

...what Playwright Bagnold, who is 74, meant to write about, but unwittingly, or so it seems, her play is about the youth complex. The notion of a woman of 70 setting out to find the "real me" would be ludicrous and pathetic if it were not camouflaged by Bagnold's word incense and Leighton's stage magic. What the Margaret Leighton character wants is not to accept the past but to erase it, to be 17 again with all its romantic second chances, or else to live where age enjoys the prestige of youth, symbolized by a mythical...

Author: /time Magazine | Title: Theater: 70 Wanting to Be 17 | 1/10/1964 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | Next