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Skyscrapers Going Up. Governor Magalhaes has run Bahia before, as one of the tough lieutenants of the late Getulio Vargas after Vargas took dictatorial control of Brazil in the 1930 revolution. Now the 55-year-old former revolutionary likes to explain that he puts his faith in his rosary rather than in the two pistols he used to pack...

Author: /time Magazine | Title: BRAZIL: Utopian Pauper | 9/12/1960 | See Source »

...Salvador a dozen skyscrapers are under construction. Two new hotels will soon join the Hotel da Bahia to catch the swelling tourist trade, and the modernistic, 2,000-seat Castro Alves Theater has been rebuilt after its destruction by fire two years ago. The University of Bahia, which last week inaugurated a new, glass-walled Polytechnic School, has fired an artistic rebirth with new schools of sacred art, Afro-Asian studies and theater. Argentine Artist Carybe, who painted the mural in American Airlines' Idlewild terminal (TIME, Aug. 15), has settled in Salvador; Genaro de Carvalho, a leading maker...

Author: /time Magazine | Title: BRAZIL: Utopian Pauper | 9/12/1960 | See Source »

Presidential Promises. Magalhaes is determined to correct the federal government's neglect of the state. "We have reached the utmost limits of human distress," Magalhaes says bitterly. The Sao Paulo newspaper 0 Estado agrees with him: "The nation has bled Bahia...

Author: /time Magazine | Title: BRAZIL: Utopian Pauper | 9/12/1960 | See Source »

...highlight the contributions of Bahia to Brazilian culture, some 1,000 objects, ranging from gaily painted gourds and handsomely decorated clay pots to ritual drums (named rum, rumpi and lé) and the ornate paraphernalia of the colorful candomble religious dances brought over from Africa, have been put on exhibition at São Paulo's Bienal. More than 40,000 visitors throng the exhibition weekly; visiting critics, discovering a new folk art they never knew existed, have told Brazilians: "This is your great...

Author: /time Magazine | Title: Art: ARTS OF BAHIA | 11/16/1959 | See Source »

Gods into Saints. Bahia's African folk tradition has survived over the centuries through adaptation, absorbing lesser cultures when possible, going underground when necessary. South American Indian pottery skills and myths were taken over wholesale by the Negro slaves. But to protect their African tribal gods, they resorted to subterfuge. They gave them Christian cover names (Oxossi, the god of hunters, became St. George), then told their masters that they were worshiping the saints, but in their own way. This African subculture still claims 10 million followers for its religious dance rites, has permeated Brazilian culture with its music...

Author: /time Magazine | Title: Art: ARTS OF BAHIA | 11/16/1959 | See Source »

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