Word: bahia
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Food and sex. Sex and food. Chicken in coconut milk-vatapá-then a white night under the stars. These constitute life in the Brazilian state of Bahia, according to its most celebrated writer, Jorge Amado. They are also the fixed points in the remarkable history of his latest heroine, Dona Flor...
...course, Vadinho could not make his way back from the blue except in a land as saturated with voodoo and ghostly candomblé rituals as Bahia. "God is fat," he confides to Dona Flor. He came back, he adds, because, despite her love for Dr. Teodoro, she called him. She cannot deny it, nor can she bring herself to send him packing back to his corpulent deity...
Pleasure in Torture. In their massacres, the officials and speculators displayed a grisly relish and inventiveness. In Bahia state, the government claims, white men purposely killed off two tribes of Pataxó Indians ten years ago with inoculations of smallpox virus in order to get their land. In Mato Grosso five years ago, a gift of sugar laced with arsenic wiped out the Tapaiuna Indians. Another Mato Grosso tribe was first shot up by a band of gunmen, then bombed from the air by dynamite sticks tossed from a low-flying Cessna. In Parana, where land prices are particularly high...
...hours by Jeep from the nearest city, or that he must put in roads, irrigation and other costly improvements before it has any lasting value. While a few U.S. farmers say that they can grow everything from rice to cotton in the soil of Goias and Bahia, others have found their land nearly infertile. Since homesteads are not staked out and land records in Brazil are chaotic, ownership, moreover, is often uncertain and difficult to prove. Potential prospectors for mineral wealth have been dismayed by the discovery that anything they dig belongs, by law, to the government...
...level of such earlier Amado classics as The Violent Land or Gabriela, Clove and Cinnamon, but it ripples with the special inner music that has made Amado's work popular the world over. Like all Amado's novels, this one is filled with the coppery women of Bahia and the men who chase them through nights of song and stars. They can all say with Amado, "What I tell I know because I lived it, not because I heard it told...