Word: baileys
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Dates: during 1960-1969
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...Bailey...
...Still, the Widow Levi is by way of becoming a classic repertory role. Over 50 women have played her on Broadway and in road companies. The stage version is less than 300 performances away from the longest-running musical record held by My Fair Lady. It now stars Pearl Bailey, who heads an all-Negro company. Until the topless or the all-nude version comes along, a windup Dolly will have to suffice...
Some of the students who received disciplinary letters from the University were: admonished-John Husken '73; warned-Ginny Vogel '70, Barbara A. Slavin 72, Lafayete Ketton '73; required to withdraw until June, 1970-Judith R. Kaufman '70, John H. Dyck '72, Thomas R. Bailey '73, Elizabeth M. Harvey '71, required to withdraw until February, 1971-Emily T. Huntington '70; required to withdraw until February, 1971-Emily T. Huntington '70; required to withdraw until June, 1971-Cheyney C. Ryan '70; received suspended suspensions until June, 1971-Jonathan Levinson...
...Bailey did not merely photograph swinging London; he was part of it. As Evans puts it, Bailey was "the prototype of the dashing Cockney photographer"-and the prototype for the hero of Blow-Up. Other photographers, of course, collected a lot of money and a lot of girls. But few did it with Bailey's flair. A tailor's apprentice at 15, he was in his mid-20s when he bought his first two-tone Rolls-Royce (light blue on dark blue). At about the same time, he was traveling the world with his favorite model, Jean Shrimpton...
...everybody, of course, likes Bailey. Or the book. One British reviewer called it "a lugubrious epitaph for our waning decade." Muggeridge called the whole effort commercial bananas. Even Bailey doesn't exactly promote it when he says: "I've done a superficial book about a superficial period." Maybe. But perhaps a more apt summing-up of Goodbye is its last-line appraisal of the decade itself-"It was great fun. Sure...