Word: baker
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Dates: during 1990-1999
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...American Booksellers Association's annual convention was set for the very next day in Los Angeles. He flew out and spent the weekend roaming the aisles and taking a crash course in the business. Everything he learned encouraged him. The two big wholesalers for books were Ingram and Baker & Taylor. "So I went to their booths and told them I was thinking of doing this." Books, it turns out, are among the most highly databased items on the planet. The wholesalers even had CD-ROMs listing them. It seemed to Bezos as if all the stuff "had been meticulously organized...
...eBay represents a return to that earlier one-on-one sociability--and maybe even improves on it, since the Net collapses the traditional divisions of geography and class. Wherever you plant your modem, the fabled new economy arrives--even in the boonies, as Patricia Hoyt calls her hometown of Baker, Mont., roughly 225 miles from the nearest big city, Billings. The old economy of oil and cattle has not been kind to Baker, and when oil prices dropped, business dried up at the motel Hoyt and her husband...
...believes not in inspired improvisation, as the book's Ripley does, but in studying hard. In the movie, Tom's plotting has the calculation of a Bach fugue; Dickie's avocation is playing jazz saxophone instead of painting, and he loves the dangerous freedom of Chet Baker and Charlie Parker. As played by Law, Dickie oozes a reckless sensuality, turning the beam on and off at will, indulging Marge's love while he stealthily impregnates an Italian woman. In a movie that ups the sexual octane of the book, Tom's interest in Dickie is explicitly homoerotic, the yearning poignant...
...film evokes late '50s psychodrama with more precision than it has any right to. The music alone, a collection of some of the coolest cool-cat classics of the period, captures that legendary moment when you were more likely to spot Chet Baker in a Naples jazz club than an upstate prison sickroom. The movie probably won't make any top-ten lists this winter--it's good, but it's not quite that deep--but I'll be damned if it doesn't have the wittiest opening credit sequence of the year. It's a not-so-subtle allusion...
...camp after a raid, Lee imposes a layer of complexity on the film, for George Clyde (Simon Baker) has a black slave, Daniel Holt (Jeffery Wright) in his company. Holt serves the confederate cause, and his unique position as a slave torn between loyalty for his master and boyhood friend, Clyde, and his desire for freedom, adds the most intriguing and ironic layer to the film...